Album Reviews

While we haven’t followed every twist and turn of the career of Miley Cyrus, we have kept open ears and open minds regarding her evolution as an adult and bona-fide recording artist, someone not to be dismissed outright because of preconceived notions about who she is and where she comes from. To that end, AP editor Mike Mettler asked Mark Smotroff to check out her hit new LP Endless Summer Vacation, and here’s what he discovered. . .

It's almost laughable to think they were complaining about “commercialization” of the Newport Jazz Festival back in 1960 given what's happened to the venerable jazz festival, not to mention Wynton Marsalis doing ads for Movado and corporate sponsorships of bands, and festivals. We've got McCartney hawking some mutual fund or other, the Stones selling their music for commercials (I'm waiting for “Start Me Up” in a laxative ad). It's reached the point where nothing surprises, nothing shocks, and there's not a damn thing you can do about it except shake you head, and even that's really a waste of energy, so as they say, just lie back and enjoy it.

Joni Mitchell’s “road weary,” intensely personal adult confessional, released in 1971, shattered forever what appeared to be her carefully cultivated “hippie chick” image at a time when her star had ridden it to unimaginable heights on an almost vertical trajectory.

For the most part, the best Art Pepper could do in 1972 when this set was issued was listen to and talk about old performances and old tapes. He recorded only one album during an extended period of inactivity stretching from 1968 to 1975.

While still with The Jeff Beck Group, Rod Stewart signed as a solo artist with Lou Reizner, an American Mercury Records producer living in the UK at the time, who had his ear to the musical firmament.