Album Reviews

This extraordinary document recorded by Young during a two night stand at small club on the University of Michigan campus in Ann Arbor back in November of 1968 is about as intimate and revealing a performance as you’re likely to find in the singer’s catalog.

This 1973 release, minus saxophonist Phil Shulman who had left the group (leaving but two Shulmans),  was rejected by Columbia Records for being "un-commercial" yet it became one of the band's most popular releases. It was available only as an import in America.

How great is it that jazz pianist Thelonious Monk’s April 1957 breakthrough album Brilliant Corners is the latest entry in Craft Recordings’ notable Small Batch series of limited-edition, definitive, all-analog, audiophile-grade releases? Read Mark Smotroff’s review to see if the Small Batch 180g 1LP edition of Brilliant Corners is the right Monk fit for you. . .

The South African trumpet and flugelhorn player Hugh Masekela first became known to American audiences as a pop star with his 1968 hit “Grazing in the Grass.” He played trumpet on The Byrds' hit “So You Want to Be a Rock and Roll Star,” and among audiophiles, his song “Stimela (Coaltrain),” recorded live, is a sonic standout as well as an inspiring track.

If you are considering buying the new 180g 4LP/1EP Super Deluxe Edition vinyl box set celebrating The Beatles’ landmark August 1966 album Revolver that’s set for release on October 28, then you’ve come to the right place. Read on to discover why this landmark Beatles box set is worth the coin for mono and stereo fans alike. . .

Continuing the sexy, soulful long-form song-cycle format of its predecessors while embracing fresh funky flavors of the day, Marvin Gaye’s 1976 LP I Want You has gone on to become quite revered over the years. And now, Tamla/UMe is feting I Want You with a 50th anniversary Vinylphyle 180g 1LP edition alongside a separate 180g 2LP rarities edition titled, naturally, I Want You 2. Read Mark Smotroff’s review to see if both releases are essential adds to your collection. . .

Dept. of Corrections: Due to a miscommunication between myself and Speakers Corner's Kai Seeman, I was led to believe this lush, yet detailed reissue was the first to be mastered by Maarten DeBoer, after the retirement of Willem Makkee at the newly refurbished Berliner Mastering facility in Hanover, Germany.