Album Reviews

Rush’s tenth studio LP on Mercury, April 1984’s Grace Under Pressure, chronicled how the vaunted Canadian trio were able to shift creative gears mid-decade and construct eight technology-driven tracks that confront fear, rue containment, and question conformity. To properly celebrate this important album, UMe/Mercury and Anthem recently released a newly expanded 5LP/1BD Super Deluxe Edition of Grace Under Pressure (a.k.a. GUP40) on March 13, 2026. Read AP editor Mike Mettler’s in-depth box set review that also includes an all-new exclusive interview with longtime Rush production wizard Terry Brown — who remixed the original album and the live material exclusively for this box set — to see why his work may forever change the way you hear this Cold War-era music. . .

Who are these children / Who scheme and run wild. . . No, that’s not a comment on the youth of today, but rather a piercing lyrical couplet of sorts that can only mean one thing — it’s time for us to dive deep into the just-released 200g 45rpm 2LP UHQR edition of Steely Dan’s March 1975 treasure of an LP, Katy Lied. Read Mike Mettler, Mark Smotroff, and Ken Micallef’s combo review to see if the UHQR version of Katy Lied meets and/or exceeds the standards set by its companion SD releases in this all-important reissue series. . .

The 67th Grammy Awards — sorry, I meant the all-caps GRAMMY Awards — were handed out in Los Angeles last night, February 2, 2025, and we applaud the wide range of actual, great-sounding winning recordings, as evidenced by what we’ve heard of their vinyl incarnations. Over the past year(ish), we’ve indeed reviewed some of those key, Grammy-winning LPs and songs here on AP, so if you’re keen on finding out if they make the grade on vinyl and are worthy of your hard-earned dollars and/or valuable listening time, then read on. . .

You can bet this blistering, groundbreaking jazz-rock fusion album from 1971 spun Jeff Beck’s head around big time, turning him from heavy metalist-rocker (his version of The Yardbirds’ “Shape of the Things to Come” on the Jeff Beck Group’s album Truth is arguably the first “heavy metal” rock arrangement) to the jazz-fusionist he became on Blow By Blow. Others followed too, of course.

Decide for yourself whether The Lovin’ Spoonful took their name from Mississippi John Hurt’s “Coffee Blues” (not to mention the tune for “Darlin’ Companion”) but fans of Taj Mahal will have no doubts about this gentle soul’s influence on Taj when you hear this earlier take on “Corrina, Corrina” and compare it to Taj’s on The Natch’l Blues (CS9698).