As good and desirable as blues guitarist Mel Brown’s 1967 Impulse Records debut album Chicken Fat is, the reality is he’s not quite a household name, even among many jazz and blues aficionados. That said, enough people have discovered Brown’s music to warrant its inclusion in a significant new reissue series from Verve By Request/UMe that’s being pressed by Third Man Records. Read Mark Smotroff’s dive-into-the-frying-pan review to see why you might want to add Mel Brown’s tasty-sweet funky 180g Chicken Fat LP to your vinyl collection. . .
Talk about a confusing pedigree: though the jacket reproduces an "electronically reprocessed for stereo" edition of this album, the tape used is mono, thank goodness.
It’s not often that a rock band remains together for more than 20 years and releases consistently swell records along the way, but Yo La Tengo has managed to do that, in part because Ira Kaplan and Georgia Hubley have beat the odds twice: managing to stay together throughout both as bandmates and husband and wife.
Veteran blues guitarist Walter Trout is obviously well known within blues circles and among blues fans I asked, but the name doesn’t elicit much of a response outside the blues core.
As a talent scout, bluesman John Mayall has no equal. Everyone knows he 'discovered' Eric Clapton and that the Blues Breakers album (Decca SKL 4804) became a best seller and a classic, but the list of Mayall discoveries and/or early accomplices is astonishing: John McVie (Fleetwood Mac), Peter Green (Fleetwood Mac), Mick Taylor (Rolling Stones), David O' List (The Nice), Andy Fraser (Free) and more recently (though still 25+ years ago!) Coco Montoya and Walter Trout.
This psychedelic noise-rock band from Japan is definitely not for everyone but if your tastes run towards free-jazz when you think of jazz and you find the opening of Axis: Bold As Love structurally symphonic, you will surely dig Acid Mothers Temple & The Melting Paraiso U.F.O. and this album in particular, which definitely has a Hendrix vibe, right down to the cover art that has lettering like Are You Experience and some scantily clad gals like the UK Track edition of Electric Ladyland that Jimi hated.
This slab of red vinyl got plopped on the turntable and listened to before the unnoticed press blurb stuffed into the gatefold jacket made returning it from where it came impossible.
This album was issued back in 2008 but gets reviewed here because though the name Nada Surf has popped through my consciousness for years, I’d never heard them. I know, I can go online and listen and probably even steal all of their stuff for free but I’m not wired like that, so I actually went out and bought this album on vinyl without hearing a note.
I’m not comfortable writing about classical music. I’m not an expert, and I can’t tell you how this performance of Schumann’s music compares to others. According to the liner notes Mr. Lill is a world-class concert performer who has toured with the London Symphony Orchestra, the London Philharmonic, the City of Birmingham Symphony and many others, and performed with the New York Philharmonic and more than a dozen others. He was the joint winner of the prestigious Moscow International Tchaikovsky Competition in 1970.
You needn't speak Icelandic to appreciate and absorb the primal purity and almost unbearable innocent beauty created by this electronica driven quartet. In fact, speaking the group's native tongue wouldn't help at all since vocalist Jonsi Thor Birgisson's lyrics are in a language of his own invention.
You needn't speak Icelandic to appreciate and absorb the primal purity and almost unbearable innocent beauty created by this electronica driven quartet. In fact, speaking the group's native tongue wouldn't help at all since vocalist Jonsi Thor Birgisson's lyrics are in a language of his own invention.
If it’s the holidays and we’re talking holiday-centric vinyl, then we should also be talking about Vince Guaraldi and his indelible work for the Peanuts animation franchise. To kick off the holiday season right, LMFP is serving up the first ever vinyl edition of A Charlie Brown Thanksgiving in celebration of the TV special’s 50th anniversary. Read Mark Smotroff’s review to see if the new 180g 1LP edition of A Charlie Brown Thanksgiving should be cued up alongside your turkey, stuffing, mashed potatoes, and/or whatever else is on your festive table. . .
For a long time now, we’ve had the feeling there were seemingly a bazillion different versions of Vince Guaraldi’s beloved jazz soundtrack to the timeless “A Charlie Brown Christmas” 1965 TV special out there in the wilds of record collecting. Thus, we were quite excited to learn of the new, audiophile-leaning black vinyl 180g 2LP edition of “A Charlie Brown Christmas” — now in stores and very much in time for holiday gift giving, courtesy Fantasy/Craft Recordings — to hopefully provide us all with some higher-fidelity LP solace. Read Mark Smotroff’s review to see if this new, expanded 2LP edition of “A Charlie Brown Christmas” is worthy of getting for those on your gift list — and/or, in the spirit of the season, also get one for yourself. . .
How rare and collectible is this record? A mint original sold for $678.00 back in 2004. I doubt it sounds as good as this double 45rpm reissue but I can’t be sure since I don’t have one.
If you'd have told me a few years ago when Vinyl Me, Please launched, that within a few years the curated based vinyl subscription service would be at the top of the vinyl reissue heap, I'd have said you've been inhaling too many PVC fumes. But here we are with a vinyl reissue that's perfect in every way.