Michael Fremer

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Michael Fremer  |  May 27, 2017  |  First Published: May 27, 2017  |  1 comments
Audio Union's Rumen Artarski said that this first sample of the new Döhmann Helix 2 was finished "hours" before packing and shipping from Sofia, Bulgaris to High End Munich.

Michael Fremer  |  Dec 01, 2004  |  1 comments

Englishman Dolby hit double paydirt with a catchy synth-novelty song and an accompanying video just as the pop-synth and music video/ MTV phenomena broke. However, “She Blinded Me With Science” was not his first song, nor does it really reflect what the guy's about. His first album, The Golden Age of Wireless (Harvest ST-12203), was originally issued without “She Blinded Me…”. When the song and video became popular, the album was reconfigured and reissued. Dolby was an instant celeb, and faded just as quickly, though his album Aliens Ate My Buick (EMI Manhattan E-148075) remains a cult fave for both music and sound. Come to think of it The Flat Earth was pretty good as well.

Michael Fremer  |  Apr 30, 2009  |  2 comments

(Back in 1984 I was assigned to interview Don Henley, who'd just released Building the Perfect Beast his second solo album.

Henley picked me up in his black Porsche 911 and off we went to the Sunset Grill for lunch. We talked about music and life while downing burgers, fries and Cokes. Despite the classy name and the complex arrangement for the song that immortalized the place, the Sunset Grill was a tiny, hole in wall burger stand on Sunset Boulevard.

Michael Fremer  |  May 01, 2008  |  0 comments

John Cale's guitar-fueled, angry yet nostalgic first Island release from 1974 is easily his finest solo effort in my book. It's certainly his most consistently well written and performed record.

Michael Fremer  |  Jun 21, 2017  |  First Published: Jun 21, 2017  |  1 comments
Posted stories go to the bottom of the page and then disappear but the eight phono preamps compared story lives on and there's still time to vote for your favorite in this blind listening test.

Michael Fremer  |  Apr 01, 2004  |  0 comments

Recorded live in the studio in four days, this collaborative effort produced by singer/songwriter Joe Henry attempts to revive the career of one of the great, though under-appreciated ‘60s soul singers, who has spent the past few decades in church and in relative pop-music obscurity. Back in the 1960’s in the heyday of soul, Burke, who has always straddled the secular/sanctified line, had a series of big hits on Atlantic, including “Cry to Me,” and “Everybody Needs Somebody To Love,” (co-written by Burke and producer Bert Berns) both of which were covered by The Rolling Stones.

Michael Fremer  |  Nov 01, 2007  |  0 comments

Funky, bluesy electric guitarist Mel Brown, now 78, is still at it. He was 27 back in 1967 when Impulse released this showcase for his super-clarified style of electric funk/jazz blues guitar.

Michael Fremer  |  Mar 04, 2013  |  27 comments
A reader alerted me to the fact that some online sites are selling a variety of "Pink Moon" reissues including one from the aptly named "Phantom" label. Be careful!
Michael Fremer  |  May 02, 2013  |  55 comments
This is a digital microscope shot of my Lyra Atlas. I am embarrassed.
Michael Fremer  |  Oct 09, 2012  |  14 comments
What happens when you gather thirty one jazz musicians including MIles Davis, John Coltrane, Herbie Mann, Phil Woods, Bill Evans, Paul Chambers, Ben Webster, Hank Jones, Art Farmer, Donald Byrd, Milt Hinton and many other jazz greats (including a baritone sax role for Teo Macero) in Columbia's iconic 30th Street Studio?

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