The compact, two piece VERA 20 Phono Preamplifier from MR Labs may look more like a piece of medical technology and less like high performance audio gear, but don’t let its plain looks deceive you.
It consists of two relatively small chassis, one containing the amplification and signal processing electronics and the other the power supply. The power supply chassis (which at approximately 6 pounds weighs 3 times more than the amplification chassis) is capped at one end with a beefy heat sink more typical of a power amplifier. The two chassis connect via a pair of multi-pin umbilicals.
If you've already got a version of Vivaldi's "Four Seasons" that you like, I'm not suggesting you need a "second opinion" though in my world any well-produced, good-sounding musically worthwhile and well-performed D2D record is a treasure worth owning
More than enough has been written about this album for me to attempt to add anything of value to the mix. It's the best selling jazz album ever and continues to sell the way Pink Floyd's Dark Side of the Moon does in the rock world.
If you're saying Monk's creative juices had begun to dry up by the time he signed with Columbia Records and released this 1963 label debut album you'll get no argument from me. But Monk, all of 46 when this was recorded, had a secret weapon: his rock'n'roll band of the hard-blowing Charlie Rouse on tenor sax, John Ore on bass and Frankie Dunlop on drums.
For my money, the greatest YES album, musically and sonically was 1971’s The Yes Album (Atlantic SD 8283), recorded Autumn of 1970, and if you can find an original, thick “1841 Broadway” pressing, get one. An audiophile-quality reissue generated from the master tape would be nice, but unfortunately, Rhino took it upon itself to reissue it recently in their first, undistinguished entry into vinyl, and it wasn’t very good.
A cold-steel stoic intensity inhabits the faces of Canadian folksingers Ian Tyson and Sylvia Fricker on the cover of their 1965 Vanguard album Northern Journey. The photo’s low light and blue cast amplify the title’s message. Combine the front cover with the scholarly ethno-musicalogical liner notes you’ll find on the back—perhaps a reflexive reaction to the commercialization of folk music back then and an attempt to separate Ian and Sylvia from many trite, packaged folk acts of the time—and you have an almost forbiddingly chilly surface.
These ten acoustic tunes cut by Buddy Guy on 6 and 12 string guitar, and Junior Wells on harmonica back in 1981 during a visit to Sysmo Studios in Paris, France states the case for the acoustic blues as well as any album I can think of, but if you’re not into the genre, don’t expect this reissue to pull you around. Well, take that back: the sound may drag you in.
I just wanted to thank you for your fervent passion to keep vinyl alive in these digital times. I have been a big fan of Analog Planet since my early years of collecting. I am 17 years old now but I have been collecting vinyl since I was 12. My first time stepping into a record store was a monumental experience that will always be a watershed moment in my life. It also became my college essay (trying to convert the admissions offices).
The term "hearing aid" strikes terror into the hearts of audiophiles of all ages. Glasses? OK. But "hearing aid"? No one wants to admit to needing one so that's why you need a set of DUBS Acoustic Filters now.