Michael Fremer

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Michael Fremer  |  Nov 07, 2018  |  First Published: Nov 07, 2018  |  5 comments
At last month's "Making Vinyl" conference in Detroit Keynote speaker Steven Van Zandt chose not to present a formal address. Instead, he sat down with music journalist Gary Graff to talk about his relationship with vinyl records and especially his TeachRock (teachrock.org) organization that provides to schools free of charge music educational resources.

Michael Fremer  |  Nov 05, 2018  |  First Published: Nov 05, 2018  |  5 comments
AnalogPlanet editor Michael Fremer appears at Ovation A/V Indianapolis on Friday evening November 9th starting at 6PM as part of the two-day 31st Anniversary event. The store's website calls Fremer a 'sell-out', but that's okay. He'll show up anyway. Ovation's site promises big 31st A
Michael Fremer  |  Nov 05, 2018  |  First Published: Nov 01, 2003  |  7 comments
The Mørch DP-6 tonearm's pillar

This is the 100th "Analog Corner" I've written for Stereophile. Thanks to all for reading the column, and for taking the time to send me and the magazine so many letters, complimentary and otherwise, over the eight years and four months it's taken to reach 100 installments. In that time we've witnessed one of the greatest resurrections since...well, I don't want to get into John Lennon's trap, so let's just say the unlikely survival and rebirth of analog in the age of digital everything has been one of the most gratifying phenomena I've witnessed in my life as an audiophile. If I've played some small part in that, all of the hard work has been worthwhile...

Michael Fremer  |  Nov 02, 2018  |  14 comments
1974's Blood on the Tracks (Columbia PC 33235) was for many at the time a "Bob Dylan's back" album. He was back on Columbia Records after leaving for David Geffen's Asylum for a pair of not particularly well-received at the time albums backed by The Band. But more importantly Dylan was back in the more familiar role as folk-poet and story teller—though spinning more deeply felt tales from various points of view that many observers wrongly thought were personal chronicles.

Michael Fremer  |  Nov 02, 2018  |  First Published: Nov 02, 2018  |  6 comments
The Eagles' seven studio albums, three live albums plus a collection of rare singles and B-sides are included in the 15 LP vinyl edition of Eagles Legacy along with a 54 page hard-bound book all in a lavish slipcase package costing $349.98 It includes "Hell Freezes Over" and for the first time
Michael Fremer  |  Nov 01, 2018  |  First Published: Nov 01, 2018  |  1 comments
AnalogPlanet editor Michael Fremer makes an in-store appearance at Audio Advisors, 2271A Palm Beach Lakes Blvd. West Palm Beach, Florida 33409 on the evening of November 8th along with Richard Vandersteen, Mat Weisfeld (who's bringing the new VPI HW 40 Direct Drive turntable) and Audio Research's Aldo Fillipelli.

Michael Fremer  |  Oct 31, 2018  |  First Published: Oct 31, 2018  |  2 comments
79 year old Beverly "Guitar" Watkins, unknown to most in the audience, puts on a fiery, funky and fierce standing ovation hour-long performance on the first night of Chad Kassem's "Blues at the Crossroads" Blues Festival Friday October 26th.

Michael Fremer  |  Oct 30, 2018  |  First Published: Oct 30, 2018  |  6 comments
The by-subscription Newvelle jazz label just launched season four of its unique original LP series. The vinyl-only 6 LP series consists of original productions, all recorded and mixed at East Side Sound in New York by Marc Urselli with lacquers mastered by Alex DeTurk. Pressing has moved from MPO to Chad Kassem's QRP in Salina, Kansas.

Michael Fremer  |  Oct 29, 2018  |  First Published: Oct 29, 2018  |  1 comments
This performance by 85 year old Blues legend Bobby Rush is the first in a series of videos shot at this year's "Blues at the Crossroads Blues festival at Blue Heaven Studios in Salina, Kansas. Blue Heaven Studios and the festival are part of Acoustic Sounds' Chad Kassem's music empire.

Michael Fremer  |  Oct 29, 2018  |  First Published: Oct 01, 2003  |  1 comments
The innards of the ASR Basis Exclusive phono preamplifier, reviewed in this column.

Press kits arrive at my house almost daily, trumpeting one thing or another, including upcoming hi-fi shows around the world. Recently, none has provided quite the jolt to my system as one sent by Steve Rowell of Audio Classics in Vestal, New York. It's for the New York High Fidelity Music Show, September 29–October 3. Don't worry, you haven't missed it. Well, you have—by 38 years. Rowell sent me a genuine classic: a press kit for a hi-fi show held in 1965.

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