Michael Fremer

Michael Fremer  |  Sep 01, 2010  |  1 comments

Listening to Elvis makes clear his indebtedness to Dean Martin and Bryan Ferry’s to Elvis. No doubt Paul McCartney was imitating growing up too. There’s not been a voice like it since, which for detractors is a good thing.  

Michael Fremer  |  Sep 01, 2010  |  1 comments

The first Costello album backed by The Attractions released in March, 1978 on Radar in the UK and Columbia in America (with differing song lineups) cemented the singer’s leadership in the “angry young man” wing of the late ‘70’s “New Wave” musical explosion. More than expressing anger, the album was a full-blown misogynist outburst that contains some really nasty stuff starting with the opener “No Action,” which is filled some deliciously ugly obsessive/compulsive sentiments.

Michael Fremer  |  Sep 01, 2010  |  1 comments

Carla Thomas mocked Otis Redding as unsophisticated and “pure country” in their classic recorded duet “Tramp” and when Otis welcomes the “…ladies and gentlemens” to one of his Whisky A Go Go sets back in April of 1966 you get the picture.

Michael Fremer  |  Sep 01, 2010  |  1 comments

The 37 year old bassist Christian McBride apparently assembled the powerhouse quintet "Inside Straight" at the behest of Village Vanguard owner Lorraine Gordon, who told him he was welcome to play the legendary club anytime, but not with the “rock’n’roll” band he was playing with at the time.

Michael Fremer  |  Sep 01, 2010  |  1 comments

Stars from across the musical universe donated their time and considerable talents to perform with the Preservation Hall Jazz Band on this thoroughly entertaining and superbly recorded double LP set celebrating the Hall’s 50th anniversary.

Michael Fremer  |  Sep 01, 2010  |  1 comments

The back story here is that in May of 1963, the Yardbirds’ first guitarist, “pimply” 15 year old Anthony “Top” Topham stepped on stage with the new group at the Eel Pie Island Club.

Michael Fremer  |  Sep 01, 2010  |  1 comments

The precedent for this sprawling, personal three record set might be Joni Mitchell’s Blue but don’t expect to be humming the tunes as you head for the exits.

Michael Fremer  |  Sep 01, 2010  |  1 comments

Dan Dyer sings mournfully,  earnestly and soulfully on these two direct to disc recordings produced at Chad Kassem's Blue Heaven Studios in Salina Kansas. He also plays keyboards and guitar and is accompanied by Michael Hale on drums and backup  vocals  and Mark Williams on bass and cello. 

Michael Fremer  |  Sep 01, 2010  |  1 comments

The forced revisiting of old, long neglected favorites is one of the great benefits of reviewing reissues. I hadn’t played this chestnut for years, maybe decades and never in the mono mix since by then stereo ruled—at least for me and a small minority of other kids.

Michael Fremer  |  Sep 01, 2010  |  1 comments

If you didn’t know who was playing behind the honey-voiced Hartman on “They Say It’s Wonderful,” the opening track of this short, thirty one minute set, you’d probably never guess it was John Coltrane or that Coltrane asked Hartman to collaborate with him and his classic quartet on this mellow, relaxed and relaxing album, all of which was recorded April 7th, 1963.

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