Michael Fremer

Michael Fremer  |  Jun 01, 2010  |  0 comments

In the early �70�s, with the second great rock era in its death throws, the rock intelligensia hungered for something, anything that might reinvigorate the softening musical firmament.

Michael Fremer  |  Jun 01, 2010  |  0 comments

When Aaron Copland titled his Abraham Lincoln musical tribute “A Lincoln Portrait,” he was using the word “portrait” figuratively.

Michael Fremer  |  Jun 01, 2010  |  0 comments

Coincidentally (or not?) this more than one year old release came to my attention, and I first played it on the daythe Exile on Main Streetreissue hit record stores. The band has been around for 15 years and has nine albums. I plead appalling ignorance but better late than never.

Michael Fremer  |  Jun 01, 2010  |  0 comments

Producer and concert promoter Norman Granz signed Ella Fitzgerald to his Verve label back in 1956 and thus began a series of stellar studio albums, orchestrated songbooks and live set releases, many of which have been reissued on both CD and deluxe vinyl.

Michael Fremer  |  May 01, 2010  |  0 comments

While two of the three previous jazz records guitarist/arranger Anthony Wilson made with producer Joe Harley were guitar/drum/organ sessions, this one also featuring those instruments is much different.

Michael Fremer  |  May 01, 2010  |  0 comments

Far from the sad, wobbly finale you might be expecting, these last to be released Johnny Cash recordings are uplifting, inspirational and resolutely purposeful thanks to both Cash’s searing artistry and the sensitivity of the A&R work.

Michael Fremer  |  May 01, 2010  |  0 comments

The first two sides of this double record set spotlight Hooker, his incendiary, coiled-snake stinging guitar, his foot stomping, mutable time-keeping and his chant-like, mournful singing all recorded intimately. Canned Heat co-founder Al Wilson contributes harmonica and piano on some of the tunes that are otherwise all Hooker.

Michael Fremer  |  May 01, 2010  |  0 comments

The Bay area based Blue Cheer issued this raw blues-psych record that runs a little more than a half an hour on the Philips label back in January of 1968.

Michael Fremer  |  May 01, 2010  |  0 comments

I once pissed next to Dave Mason in the Cambridge Boathouse bathroom back in 1970 something. That has nothing to do with this review except that it’s a review of a Traffic album and Dave Mason was in Traffic but you wouldn’t know that from the cover of their first American album.

Pages

X