Michael Fremer

Michael Fremer  |  Jan 01, 2009  |  1 comments

The late Arthur Alexander�s story is reminiscent of Roy Orbison�s. Like Orbison, Alexander passed away on his way to a resurrected career, though Orbison got to see his rebound while Alexander didn�t. He�d quit the music business and was driving a bus whenElektra A&R exec Danny Khan saw Alexander perform in 1991 at New York's Bottom Line in one of the clubs famous "A bunch of song writers sitting around singing" shows and convinced him to go back into the studio.

Michael Fremer  |  Jan 01, 2009  |  1 comments

A generation has grown up without Reference Recordings, which due to a series of business mishaps, had gone silent and not due to a lack of demand for its consistently spectacular recordings and often adventurous titles.

Michael Fremer  |  Jan 01, 2009  |  0 comments

The timbre may have deepened, though almost imperceptibly, but caressing the soft, melodic waves of this set of tidily drawn, dreamy reveries, k.d. lang�s voice remains a magnificent, mellifluous instrument.

Michael Fremer  |  Jan 01, 2009  |  0 comments

This band of British rock and roll survivors led by David Gedge has been at it since 1985, releasing their debut LP George Best (named after a famous �60�s era soccer star) two years later on their own Reception Records label.

Michael Fremer  |  Jan 01, 2009  |  0 comments

I haven�t heard Mo-Fi�s hybrid SACD reissue containing twice as much music, but I have compared this limited edition 180g LP sourced from the original tapes with the Ace German boxed CD set that I own and the deep, richly dimensional mono LP laughs at the flat, cardboardy and cold sounding CD.

Michael Fremer  |  Jan 01, 2009  |  0 comments

True, The Who were once called The High Numbers, but can you imagine a more self-loathing album title than The Who By Numbers? Painting by numbers or doing anything by "the numbers" usually connotes rote work. It was an honest assessment of the album.

Michael Fremer  |  Jan 01, 2009  |  0 comments

If you choose to linger on the external contours and often predictable constructive conventions of these tunes, instead of on how the musicians fill the spaces, this Horace Silver set can sound conventional, overly familiar and even mundane to 21st century ears.

Michael Fremer  |  Jan 01, 2009  |  4 comments

Dennis Wilson didn�t sing very well in the conventional sense of the word: his pitch was frequently off, he warbled, his vocal timbre was raspy and calling his range �limited� would be an overstatement.

Michael Fremer  |  Jan 01, 2009  |  0 comments

It always seemed as if there was a great recording lurking under the glaze of the original 1994 CD release. Finally, 14 years later Pure Pleasure gives us an answer: yes! Wow is there a great recording here on Keb' Mo's audacious, country/blues/soul debut.

Michael Fremer  |  Jan 01, 2009  |  0 comments

Very few singers can get this close to a dry microphone, be balanced way forward of the backup band and sound as good as Peggy Lee does on this series of standards backed by a pair of small ensembles, recorded in 1953 and 1956. Neither the original nor the reissue notes explain the album’s temporal context so perhaps there’s no story there.

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