Album Reviews

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Michael Fremer  |  Jun 24, 2013
Ridley Scott's 1982 "future noir" classic "Bladerunner" based on Philip K.Dick's "Do Androids Dream of Electric Sheep" was a box-office flop when first released. Like "TRON", another flop, it has gained stature over the years, though like "TRON", the movie's visual and sonic pleasures are greater than the storytelling.
Michael Fremer  |  Jun 17, 2013
Well before Aaron Neville's gorgeous warble turned to wobble and he began using it as vocal ground cover—so much so that Saturday Night Live easily satirized it—his was a gorgeous instrument capable of both technical excellence and exquisite emotional communication as this impeccably produced and recorded 1991 release demonstrates.
Michael Fremer  |  Jun 10, 2013
When first released by RCA as a single LP back in 1988 (RCA 9589-1-R) this album, probably sourced from digital, created a sensation—at least among the legions of Elvis Presley fans.
Michael Fremer  |  May 30, 2013
David Bowie fans who lost the thread around his Tin Machine days or who meandered mystified or perhaps less than fully satisfied through his end of century output and beyond need to return for The Next Day his first album in a decade, following his 2004 heart attack and major surgery. Not that Heathens wasn’t a good outing
Michael Fremer  |  May 08, 2013
Through her early EMI recordings, among others, the late Hungarian violinist Johanna Martzy has achieved fame, notoriety and a cult following that escaped her during her lifetime.

Michael Fremer  |  Apr 25, 2013
Singer/songwriter Thom Chacon delivers hardscrapple tales in a voice well-suited to the task that will immediately remind you of what's his name? Maybe John Prine, or John Mellencamp, or Steve Earle or Bruce or Guy Clark or?

Michael Fremer  |  Apr 21, 2013
Frank Sinatra recorded this album for Capitol in the summer of 1960—the same year he left the label and with a few hundred thousand dollars of his own money started Reprise Records. You can be sure plans for the new label were well underway during the production of this thirty three minutes and change long album.

Michael Fremer  |  Apr 06, 2013
Note: This review appeared on the musicangle.com website in April of 2011. An analogplanet.com reader looked for it here and couldn't find it. Neither could I. I am having the webmaster look into this because I worry that other reviews got lost in the move. In the meantime, I'm re-posting the review now. There may still be copies available at your favorite online LP seller. It's also available in high resolution on HDTracks—ed..

Michael Fremer  |  Apr 04, 2013
Greatest Hits albums from the '60s are a crap shoot: how many were made from original tapes strung together to produce reels for lacquer cutting? A few but not most. Instead the originals (hopefully) were pulled and tape copies of the hits were made and those were strung together for the hits package.

Michael Fremer  |  Apr 02, 2013
Note: The pressing issue I encountered with the copy I bought was corroborated by some readers but not all. The producer's QC copy was fine, so we exchanged copies. The replacement I was sent (autographed by Bryan Ferry, thank you!) sounded fine throughout.
Michael Fremer  |  Mar 24, 2013
Decca Records and air travel did not get along well. Imagine in a four year span losing both Buddy Holly and label mate Patsy Cline.
Michael Fremer  |  Mar 21, 2013
Phil "back to mono" Spector would be happy. Not about his upcoming HBO biopic starring Al Pacino but about the mono craze sweeping the record business if not the country. True its a single bristle sweep, but it's better than no brush at all.
Michael Fremer  |  Mar 19, 2013
Back in 2002 the adventurous, eclectic jazz singer Cassandra Wilson returned to her home state of Mississippi to record this album in the Clarksdale train depot as well as in a boxcar not far from the now immortalized "crossroads" where, as legend has it, Robert Johnson sold his soul to the devil.
Michael Fremer  |  Mar 19, 2013
The documentary "Heartworn Highways" produced and directed in the mid-1970s by James Szalapski but not released until 1981 documented the rise of a generation of singer-songwriters that included Steve Earle, the late Townes Van Zandt, David Allan Coe, Rodney Crowell, Guy Clark, Steve Young and Charlie Daniels.
Michael Fremer  |  Mar 09, 2013
Why am I reviewing a CD???? The answer(s) are easy. Firstly, this loving tribute to Les Paul featuring longtime trio cohort Lou Pallo and others with whom Les played at Fat Tuesdays and the Iridium is musically fabulous assuming you like the timeless "old school" style.

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