LATEST ADDITIONS

This quintessential American question is the hub of our capitalist society, and one that figures in two subjects that have recently been clogging my e-mail in-box. The first has to do with the Record Club of America's half-million-plus unplayed LPs, which I wrote about last fall ("Analog Corner," September 1997).

RCOA's much-delayed catalog (due out last October but not appearing until this May) has created quite a stir with many recipients, some of whom are outraged by what they see as absurdly high prices for many of the discs. You should hear them! Along with Dan Burton, they should have their mouths washed out with soap! I'll spare you those.

Most of the others are more bemused than angry. Like this guy: "Stop it, stop it. You've got to be kidding. I wonder if Mr. Fremer helped them price the classical issues, and probably [Fi's] Wayne Garcia priced the Jazz."

I can't escape it: I love old things. I drive an old car not because I can't replace it with a new one, but because the experience of driving it is irreplaceable. New cars don't look, feel, sound, or even smell like my old Saab: the roar of the throaty engine, the sound of the air being sucked into the carburetor, the visceral connection between the road and my hands on the non-power steering wheel—new cars can't provide these sensations. New cars hide their mechanical nature. Old cars celebrate it.