LATEST ADDITIONS

Robert J. Reina  |  May 01, 2005  |  First Published: Dec 31, 1969  |  0 comments
Back in 1977 while shopping for Sun Ra records in my favorite Philly store, I discovered this bizarre-looking album.  The cover featured the artist, Gary Wilson, posing in an early-'60s mod suit and funny sunglasses, in what turned out to be his parents' basement.  The back jacket was another basement shot of Wilson, this time in his underwear, lying amidst a tangle of recording tape, wires and covered with baking flour.  There were also song titles and the artist's address in upstate New York, but nothing else.

I had to buy it.

Matthew Greenwald  |  May 01, 2005  |  First Published: Dec 31, 1969  |  0 comments

BMG’s 2003 Jefferson Airplane Reissues

Q: Is this, in fact, the very first time the albums have been digitally re-mastered from the original multi-track masters?

A: No, but I’ll tell you what they are. There were some mixes that I used the multi-tracks for and I’ll get to that, but these are re-mastered from the original two-track masters. In all honesty, I’d love to put that feather in my cap, but those masters have been used before; although I can’t speak for the very first editions of CD’s that came out in the ‘80’s…

Matthew Greenwald  |  May 01, 2005  |  First Published: Dec 31, 1969  |  0 comments

When I first interviewed humble reissue genius Bob Irwin back in 1997, he told me that working as a freelance producer for Sony/Columbia/Legacy and other major labels, and having his own label, the much-respected Coxsackie, New York based Sundazed Records, has given him “the best of both worlds.”

Michael Fremer  |  May 01, 2005  |  1 comments

The three new Chesky works on this stupendous-sounding disc are easily his boldest, most ingenuous and fully realized compositions yet. One needn't be a classical music critic-and I've never claimed to be one-or even an experienced classical music listener (a claim I can make), to immediately grasp and appreciate both the conceptual audacity of the music, which melds traditional classical motifs with flamenco accents, South American folk music and contemporary jazz, and the skill displayed by the composer in weaving the thread of his concept throughout the three pieces. If you want a high-concept one line “treatment,” how about “Chesky and Stravinsky Joyride South of the Border and Return to New York to write up the trip?”

Brent Raynor  |  May 01, 2005  |  1 comments

Imagine a world where The Electric Prunes sell-out large arenas with outrageous ticket prices and Don Henley and Glenn Frey are more than happy to honor your request for "Southern Man" at the Barstow Holiday Inn.  Imagine Dr. Byrds And Mr. Hyde selling more copies than Mr. Tambourine Man by a large margin.  Now, imagine hearing a direct and natural link between Black Flag and The Flying Burrito Brothers while defending Meat Puppets II as one of the best country albums ever to anyone who'll listen, and you may just be ready to enter the peculiar world of The Sadies.

Michael Fremer  |  May 01, 2005  |  0 comments

Time was, and not that long ago (well a decade or so ago), when you could easily find original pressings of this breezy addition to Ella's song book series, either as a double LP set or as two individual volumes. Fitzgerald was as much a popular singer as a jazz great, appearing often on popular venues like The Ed Sullivan Show, so her LP sales were brisk—especially the Verve songbooks. I found my original copies of these at a house in Hackensack, NJ fifteen years ago. What an Ella find that garage sale was! A real fan was jettisoning her LP collection and I was more than happy to oblige for a buck apiece.

Andy Goldenberg  |  May 01, 2005  |  0 comments

Richard Buckner has one of the most instantly recognizable voices in Rock music today. A plaintive wail that expresses sadness better than anyone save perhaps Mark Eitzel, Buckner's latest (and sixth overall) album, and first for progressive independent-label Merge Records, features a nice mix of his traditional acoustic laments as well as some bold electric guitar-laden rockers. Recorded at Wavelab Studios in Tucson as well as Tophat Studios in Austin Texas, Dents & Shells contains fascinating insights into the breakdown of relationships and the regeneration of the human spirit following such events. Buckner has recently gone through a divorce so it is not a stretch to read into these tunes from an autobiographical perspective.

Michael Fremer  |  May 01, 2005  |  0 comments

Petra Haden, the very talented daughter of bassist Charlie Haden, and former member of That Dog has released an a cappella version of The Who Sells Out that is charming, entertaining, ingenious and loads of fun.

Michael Fremer  |  May 01, 2005  |  1 comments

Hendrix's psychedelic morning after pill was a gloriously unfocused affair, at times sprawling and tentative, at times like his “Star Spangled Banner,” timeless, brilliant and classic. At his most tentative that morning, playing with a newly assembled group, Hendrix was still in control, still exploding the limits on what one man can do with an electric guitar.

Michael Fremer  |  May 01, 2005  |  0 comments

Even if you generally find Jones's voice too nasal, too cat-like, too small, too thin, too whiney and especially too nasal, her cool, slinky and smartly laid-back vibe on this impeccably arranged and played double LP set will surely win you over.

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