LATEST ADDITIONS

Michael Fremer  |  Feb 24, 2018  |  1 comments
Phono preamps arrive here by the stack. It’s difficult keeping up. To be honest, Arcam’s rPhono arrived before the JC3 Jr. but here, anything with John Curl’s name attached automatically goes to the head of the queue, especially considering the Jr.’s remarkable $1495 price.

Michael Fremer  |  Feb 24, 2018  |  2 comments
First released in 2010, Parasound’s JC 3 MM/MC phono preamplifier began as a dual-mono John Curl-designed phono section retro-fit for its JC2 line stage. With vinyl’s popularity on the rise, Parasound’s Richard Schram figured a stand-alone version priced right might find an audience.

Michael Fremer  |  Feb 21, 2018  |  28 comments
In the recent story about the week I spent with Technics' new SL-1000R turntable, the difference between what's commonly referred to as an arm's "effective length" and how Technics uses the term in its literature led to some confusion and a series of conceptual errors on my part for which I take full responsibility.

Michael Fremer  |  Feb 20, 2018  |  12 comments
Merrill-Williams Audio LLC of Memphis, Tennesseejust introduced the latest version of its celebrated R.E.A.L. turntable, the model 101.3. The R.E.A.L. 101.3 retains the essential elements of the 101 and 101.2 models while adding fundamental improvements.

Michael Fremer  |  Feb 20, 2018  |  4 comments
SAT (Swedish Analog Technologies) announced today two new pick up arms, the LM and CF1 series that replace the original SAT arm, now discontinued after a successful run of 70—an impressive number considering the arm's cost of more than $30,000.

Michael Fremer  |  Feb 16, 2018  |  First Published: Oct 01, 2001  |  8 comments
First, the news you've all been waiting for: the name of the winner of the "Send in the funniest caption for this picture and win an autographed copy of Mikey's 1970s comedy album, I Can Take a Joke" contest (see p.44 of the August 2001 Stereophile).

Michael Fremer  |  Feb 10, 2018  |  42 comments
Beginning in the late ‘70s, continuing throughout the 1980s and once in 1994 Wilson Audio Specialties founder Dave Wilson released a series of records that he co-produced with wife Sheryl Lee, many of which he also engineered. They were minimally miked—often a spaced pair of Schoeps was all—and mastered by an all-star lineup of disc cutters including Bruce Leek (who also shared engineering credit on some), Stan Ricker and Doug Sax (Google if any of the names are unfamiliar). The tape machine for all but the very early organ record Recital (Wilson W-278) was an Ultramaster™ by John Curl, a highly modified Studer 1/2" deck running at 30 IPS.

Michael Fremer  |  Feb 09, 2018  |  First Published: Sep 01, 2001  |  3 comments
In their "Noah's Ark" TV commercial, what DaimlerChrysler seems to consider worth hauling up the Ark's gangplank is a pair of Mercedes Benz E-Class sedans. There's also a guy schlepping an iMac (what else?), and another carrying recorded music—not CDs but a stack of LPs, the top one appearing to be an original of Miles Davis' Birth of the Cool. (Other recent analog sightings: a full-frame Clearaudio Reference turntable in Tomb Raider, and a Rega Planar 2 or 3 'table in Sex and the City.)

Michael Fremer  |  Feb 08, 2018  |  8 comments
The European Audio Team’s entry into the under $2000 turntable market includes for $1595 a factory-installed Ortofon 2M Blue moving magnet phono cartridge that alone costs around $240. Something like the $100 2M Red is more often found packaged at this price point.

Michael Fremer  |  Feb 08, 2018  |  6 comments
Atlanta, Georgia's Evolution Home Theater unveils Sonus Faber's new flagship Aida loudspeaker at a Thursday, February 15th event beginning at 7PM, featuring Sonus Faber CEO Fillipo Fanton who's flying in from Italy for the event. Also on hand will be Sonus Faber's Will Kline, McIntosh Group's Woody Compton, Clarus Cables' Joe Perfito and Merging NADAC's David Laikind.

Pages

X