MISTELBACH, AUSTRIA– August 17, 2020 – Pro-Ject Audio Systems today unveiled the new $499 Debut Carbon EVO turntable—a feature-packed priced-right addition to its Debut Collection.The new turntable incorporates a one-piece carbon fiber tonearm, electronic speed selection, suspension elements used in the more costly EISA award-winning X1 turntable and in America, a factory mounted Sumiko Rainier cartridge.

Unlike many of their competitors, Schiit Audio seemingly intends to guide hi-fi beginners up the quality/price ladder. Their direct-to-consumer standalone components, some advertised for gaming and office setups, start at just $99. Schiit’s products appear feature-packed, but does the sound live up to the specs? Or are Schiit products, well, total shit?

Well, that’s a clickbait headline for sure, but unlike most it’s probably true, especially if you’ve taken my word on this.

I grew up and went to school in Hereford in the 1980s and 90s - a small, old, and averagely average rural English cathedral city with a bit of a leftie/peacenik 'muesli belt' that definitely included my family. Since a few biggish musicians or bands have had some connection with the town over the years, maybe also because of its hippy side and its proximity to the legendary Rockfield Studios (just down the road near Monmouth), the Herefordshire of my youth seemed to be full of people with tenuous and exaggerated claims of involvement with the music business. Anyone who had ever helped the band that became The Pretenders to unload their van (all of them except the American Chrissie Hynde were local, but had long since fled), played bagpipes on a Mike Oldfield album (he briefly lived just inside the county at the height of his fame) or soldered a jack plug for Mott The Hoople's keyboard player dined out on it for years. It was all a bit tedious and you learned not to be particularly impressed.

AnalogPlanet readers need to introduction to this groundbreaking album, Coltrane's first for Atlantic recorded shortly after his participation in Kind of Blue. The packaging and presentation are "first class" and include a booklet with new, never before seen photos and an essay by jazz historian Ashley Kahn. The jacket and label art replicate the original's.

(Review Explosion is usually a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Normally curated by AnalogPlanet contributing editor Malachi Lui, this particular Review Explosion has been hijacked by AnalogPlanet editor Michael Fremer and covers in capsule form Direct-to-Disc releases).

Japanese chemist Kikunae Ikeda-san officially coined the term "Umami" in 1908, defining it as a very pleasing or delicious flavor on the palette, a synergistic effect resulting in higher taste intensity.

From the Musical Surroundings press release:

"When Hana decided to create a high-end cartridge, Master cartridge designer Masao Okada-san applied the concept of Umami combining brilliant materials and classic Japanese techniques with modern audio engineering."

Skating, a pivoted tonearm’s tendency to “skate” towards the record center is real, is not created by “centripetal force” and is not best ignored because compensating for it somehow worsens sonic performance.

If you do not apply some kind of skating counterforce, the stylus will ride the inner groove throughout the record side, producing uneven record and stylus wear. And it can’t possibly improve record playback sound.

Annette Funicello’s The Doors connection, Walt Disney’s role in creating famed Sunset Sound Recorders and 15 year old Ron Howard’s role in “The Haunted Mansion” Record album released when the Disneyland attraction first opened are only a few among the many fascinating items gleaned from my interview with Randy Thornton, long-time Walt Disney Records Supervising Producer and Musical Historian.

This year, Brian Wilson and Van Dyke Parks’ 1994 project, Orange Crate Art, turns 25 years old. To celebrate, Omnivore Records has reissued and remastered the album and brought attention and care to a somewhat disremembered historical artifact created by two musical luminaries. Of note, Omnivore’s campaign is the first time this album has been released on vinyl.