Dexter Gordon led the Clubhouse session May 27,1965 with Freddie Hubbard on trumpet, Barry Harris on piano, Bob Cranshaw on bass, and Billy Higgins on drums. Two days later Gordon recorded Gettin’ Around, trading Freddie Hubbard for Bobby Hutcherson on vibes but otherwise maintaining the same lineup. However, until 1979 the former didn’t see the light of day. What happened?

Register to win one of five actual pieces of the original 1969 Woodstock stage (Value $99.00 ea) or a Back To The Garden - 50th Anniversary Collection 5 Vinyl LP set (Value $124.98) we are giving away.

According to the companies:

"Peace Pendant: Always have a piece of Woodstock magic around your neck and close to your heart, with this Peace Pendant, that is encased with a piece of the original and authenticated stage from the 1969 Woodstock Festival.

Acrylic Frame: Ideal for display and connecting with the festival magic, this touchable piece of the original 1969 Woodstock stage is surrounded by rainbow colors with the concert dates and location, Peace of Stage logo, and a tamper-proof hologram certifying its authenticity.

Woodstock 50 – Back To The Garden - 50th Anniversary Collection features 42 of the finest performances recorded at the legendary festival, on 5 vinyl LPs."

[This Sweepstakes is now closed.]

This coming Tuesday evening August 20th 5:30PM-9PM please join me at New York City's Innovative Audio for an evening of vinyl record spinning on a fine audio system. I'm bringing some great records from my collection including multiple versions of the same recording so guests can hear what good and bad mastering can do to sound quality and musical satisfaction.

The Beatles Abbey Road gets the expected 50th anniversary treatment on September 27th UMe announced today, which coincidentally is the 50th anniversary of the famous walk across the street photo shoot that became the iconic album cover.

Last April, the iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge. Erased Tapes just issued two vinyl editions of this release, one a double LP studio session featuring a newly assembled group of musicians performing new versions of works spanning the past 50 years, some never before recorded, plus new compositions. The second set is a 4 LP special edition that also includes a live set recorded at Ann Arbor, MIchigan's Edgefest, the annual experimental jazz and creative new music festival.

Have you been wondering what music I’ve been listening to lately? Probably not, but I’m telling you anyway! And maybe now that I’ve brought it up, you genuinely would like to know what AnalogPlanet contributing editor Malachi Lui currently spins in heavy rotation. Below are embedded playlists from Tidal, Spotify, and YouTube along with comments on the songs and/or mini-reviews of their associated albums that I unfortunately don’t have enough time to extensively cover.

The following is PS Audio's press release for the company's new Stellar phono preamplifier:

Boulder, CO: 8/6/2019-----PS Audio's first product way back in 1974 was a phono preamplifier that outperformed and replaced far more expensive units. Since then, we've offered a number of excellent phono preamps--- but the new Stellar Phono Preamplifier is the best we've ever made.

Acoustic Sounds just announced the acquisition and re-introduction of Disc Doctor record cleaning products (cleaning fluids, applicator brushes, etc.), long considered by both consumers and professionals to be among the finest available.

The by-subscription jazz vinyl-only label Newvelle recently announced "Newvelle Live", a week of music on the stage and in the studio to celebrate Newvelle’s 5th Anniversary. The week-long event features two New York premieres , four world premieres, and five live recording sessions. Alumni from each season of the label’s subscription-based box sets will perform at the legendary Jazz Standard, NYC, Jazz Record’s 2017 “venue of the year.”

Counseloring at Camp Ma-Ho-Ge near White Lake, N.Y. the summer of 1968 was, in the summer of 1969, my ticket to drive to the back of Max Yasgur’s farm traffic free and without delay. I knew the back roads—not that I thought I’d need to use them when we set out for this music and arts festival we’d seen advertised all spring and summer on the walls of the New York City subway system. How could we not go? The advertised line-up was almost too good to believe.