The Florida Audio Expo here in Tampa, Florida is on course to be a successful left coast of Florida show that has the potential to become an annual event—judging by the manufacturer and retail participation. Eight floors of exhibitors have been setting up all day. According to the show publicists, Saturday's attendance will "blow your mind", based on ticket pre-sales and social media interest. Bring it on! That's all there is to report for now.

You know those records that “got away”? The ones you saw in the bins when they first were released that you mean to buy but somehow didn’t? One for me was Peter Walker’s Rainy Day Raga on Vanguard. I’ll pick up a copy eventually (I said that before, back in the ‘60s, but this time I mean it!) but for now there’s this old-time/modern psych-drone fest with the recently resurfaced Walker, now in his 80s, collaborating with Harmony Rockets (better known as Mercury Rev along with Wilco’s Nels Cline, Sonic Youth’s Steve Shelley and Martin Keith.

“The next piece you need to upgrade is your cartridge,” my editor repeatedly reminded me for months. After receiving my Rega Planar 3 from a generous AnalogPlanet reader, I felt perfectly content with the pre-mounted Rega Elys 2 MM cartridge, as my new system (complete with AudioQuest speaker cables) was already a large improvement from my Audio-Technica LP120 turntable connected to a Panasonic home theater system. However, I researched cartridge upgrades nonetheless and came up with three potential moving coil choices ranging from $524 to $795, but I eventually settled on the $999 Ortofon Quintet Black S.

In a modern high-performance audio system running out of A.C. jacks is easy, especially if you have only a single-ganged wall jack. But even with a dual jack you’ve only got four-plug A.C. access. So, what’s the solution? If you believe in power conditioning (which is hardly controversial since every recording studio in the world does, though some audio fools don’t), you can add additional jacks with one of those.

It wasn't exactly heroic or even particularly daring, but has anyone ever attempted to install a phono cartridge while facing a room full of audiophiles at a hi-fi show, as I did during my "Analog Clinic" at Home Entertainment 2004 in May? Not that I know of.

Despite the Clinic's being scheduled at 2:30 Sunday afternoon, the butt end of the Show, the seats were filled.

At next week's Florida Audio Expo in Tampa, Florida (Thursday-Sunday, February 8-10th), AnalogPlanet editor Michael Fremer will spin records and play 96/24 files from vinyl in the VAC/The Audio Company/Von Schweikert Audio Kilgore Suite located on the second floor of the Embassy Suites by Hilton at Tampa Airport Westshore located five minutes from the airport.

In late December AnalogPlanet paid a long overdue visit to Manley Labs' Chino, California headquarters. "Long overdue" because the last visit was at least fifteen years ago—before you could record a factory tour in high-definition.

Sam Records just issued a never before released series of absolutely rocking live performances by the under appreciated American-born tenor/soprano saxophonist and flutist Nathan Davis (1937-2018).

Hand-wringing audiophiles' tales of equipment malfunctions regularly litter my e-mail box. "Why can't this stuff be more reliable?" It has been my experience that most gear is incredibly reliable—or that was my experience until April 2004.

E.A.T. (European Audio Team) importer VANA Ltd. just introduced to the North American market the new Prelude turntable. The Prelude features a new 9 inch A-Note tonearm said to be lightweight, ultra-stiff and resonance-free, fitted with an Ortofon 2M Red MM cartridge as well as a "heavy" aluminum platter spinning on a low tolerance (0.01%) polished stainless steel spindle in a soft bronze bushing.