Musical Fidelity MX-Vinyl Phono Stage Sweepstakes

Register to win a Musical Fidelity MX-Vinyl Phono Stage we are giving away.

According to the company:

"The MX-VYNL is a fully balanced, very high performance phono stage, able to operate with virtually any moving coil or moving magnet cartridge. With both traditional RCA inputs and our unique XLR fully balanced connection the MX-VYNL can be connected to 2 turntables simultaneously."

[This Sweepstakes is now closed.]

The Last Word (For Now) on the Technics SL-1000R Tonearm

The amount of faux "controversy" surrounding the 10" arm Technics will supply with its upcoming SL-1000R turntable bordered on the absurd. Much of it centered on the pivot to spindle distance and effective length. It all began when the 'table arrived and the spec sheet listed the effective length as 239mm. That didn't make sense to me because that would be the effective length of a 9" arm!

Analog Corner #77

I sat staring at a blank cursor for a few hours trying to figure out how to begin this column and I still haven't come up with anything worthy, so I won't even try. Coverage of hi-fi shows in the UK and Italy? I don't think so. My flight out was scheduled for the evening of September 11.

"Sonny Rollins Way Out West" Deluxe Edition From Craft Recordings—What Was, What Is, What Could Have Been

In March of 1957 during his first trip to the west coast, 26 year old Sonny Rollins, then a member of The Max Roach Quintet, booked a session at Lester Koenig’s Contemporary Studios. With Ray Brown also in Los Angeles starring in Oscar Peterson’s Trio, and Contemporary Records regular and Los Angeles based Shelly Manne also available, Rollins could fulfill a long running desire to record sans piano.

Primary Category: 
Category: 
Artist: 
Sonny Rollins
Album: 
Way Out West Deluxe Edition
Cred Label: 
Craft Records/Contemporary 2 180g LP Box Set
Cred Prod: 
Lester Koenig (Reissue Producer Nick Phillips)
Cred Eng: 
Roy DuNann
Cred Mix: 
Roy DuNann
Cred Mast: 
Joe Tarantino (lacquers cut by George Horn and Anne-Marie Seunram
In March of 1957 during his first trip to the west coast, 26 year old Sonny Rollins, then a member of The Max Roach Quintet, booked a session at Lester Koenig’s Contemporary Studios. With Ray Brown also in Los Angeles starring in Oscar Peterson’s Trio, and Contemporary Records regular and Los Angeles based Shelly Manne also available, Rollins could fulfill a long running desire to record sans piano.

Steep Canyon Rangers "Out in the Open"

Bluegrass non-traditionalists Steep Canyon Rangers recently released this, the group's 12th album, without part time "front man" Steve Martin but with producer Joe Henry helming an exquisitely conceived and executed set of modern originals (plus one Bob Dylan cover) that preserves the traditional bluegrass sound while moving the genre into the contemporary musical world.

Primary Category: 
Category: 
Artist: 
Steep Canyon Rangers
Album: 
Out in the Open
Cred Label: 
Ramseur Records 212588 180g LP
Cred Prod: 
Joe Henry
Cred Eng: 
Jason Richmond
Cred Mix: 
Jason Richmond
Cred Mast: 
Kim Rosen at Knack Mastering (lacquers cut at Welcome to 1979 by "CJH"
Bluegrass non-traditionalists Steep Canyon Rangers recently released this, the group's 12th album, without part time "front man" Steve Martin but with producer Joe Henry helming an exquisitely conceived and executed set of modern originals (plus one Bob Dylan cover) that preserves the traditional bluegrass sound while moving the genre into the contemporary musical world.

Phono Loco Coming From Sutherland Engineering

The usually conservative (engineering-wise, don't know his politics) Ron Sutherland has thrown all electronic caution to the wind and will shortly introduce the Phono Loco, his first venture into what's commonly called a "current mode" phono preamplifier.

Analog Corner #76

All four standard record speeds have now been covered in this column: 16 (2/3)rpm, 33 (1/3)rpm, 45rpm, and this is "Analog Corner" #78(rpm). Seventy-six columns and going strong. Hard to believe, considering that vinyl was declared "dead" a decade ago, and is still so declared by the digital hardcore.

Arcam’s Surprising rPhono Offers Up to 82dB Gain, Rumble Filter and Variable MC Loading

Phono preamps arrive here by the stack. It’s difficult keeping up. To be honest, Arcam’s rPhono arrived before the JC3 Jr. but here, anything with John Curl’s name attached automatically goes to the head of the queue, especially considering the Jr.’s remarkable $1495 price.

Does Curl's Jr. Have the Beef?

First released in 2010, Parasound’s JC 3 MM/MC phono preamplifier began as a dual-mono John Curl-designed phono section retro-fit for its JC2 line stage. With vinyl’s popularity on the rise, Parasound’s Richard Schram figured a stand-alone version priced right might find an audience.

Updates and Corrections to Recent Technics SL-1000R Preview Story

In the recent story about the week I spent with Technics' new SL-1000R turntable, the difference between what's commonly referred to as an arm's "effective length" and how Technics uses the term in its literature led to some confusion and a series of conceptual errors on my part for which I take full responsibility.

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