Merrill-Williams Audio Announces The R.E.A.L. 101.3 Turntable

Merrill-Williams Audio LLC of Memphis, Tennesseejust introduced the latest version of its celebrated R.E.A.L. turntable, the model 101.3. The R.E.A.L. 101.3 retains the essential elements of the 101 and 101.2 models while adding fundamental improvements.

Swedish Analog Technologies Announces New Pick Up Arm Lineup

SAT (Swedish Analog Technologies) announced today two new pick up arms, the LM and CF1 series that replace the original SAT arm, now discontinued after a successful run of 70—an impressive number considering the arm's cost of more than $30,000.

Analog Corner #75

First, the news you've all been waiting for: the name of the winner of the "Send in the funniest caption for this picture and win an autographed copy of Mikey's 1970s comedy album, I Can Take a Joke" contest (see p.44 of the August 2001 Stereophile).

Wilson Audiophile Recordings Series Reissues From Analogue Productions

Beginning in the late ‘70s, continuing throughout the 1980s and once in 1994 Wilson Audio Specialties founder Dave Wilson released a series of records that he co-produced with wife Sheryl Lee, many of which he also engineered. They were minimally miked—often a spaced pair of Schoeps was all—and mastered by an all-star lineup of disc cutters including Bruce Leek (who also shared engineering credit on some), Stan Ricker and Doug Sax (Google if any of the names are unfamiliar). The tape machine for all but the very early organ record Recital (Wilson W-278) was an Ultramaster™ by John Curl, a highly modified Studer 1/2" deck running at 30 IPS.

Analog Corner #74

In their "Noah's Ark" TV commercial, what DaimlerChrysler seems to consider worth hauling up the Ark's gangplank is a pair of Mercedes Benz E-Class sedans. There's also a guy schlepping an iMac (what else?), and another carrying recorded music—not CDs but a stack of LPs, the top one appearing to be an original of Miles Davis' Birth of the Cool. (Other recent analog sightings: a full-frame Clearaudio Reference turntable in Tomb Raider, and a Rega Planar 2 or 3 'table in Sex and the City.)

The EAT B-Sharp Is An Attractive, Well-Performing Plug'n'Play Turntable

The European Audio Team’s entry into the under $2000 turntable market includes for $1595 a factory-installed Ortofon 2M Blue moving magnet phono cartridge that alone costs around $240. Something like the $100 2M Red is more often found packaged at this price point.

Sonus Faber Unveils New Aida at Evolution Home Theater, February 15th

Atlanta, Georgia's Evolution Home Theater unveils Sonus Faber's new flagship Aida loudspeaker at a Thursday, February 15th event beginning at 7PM, featuring Sonus Faber CEO Fillipo Fanton who's flying in from Italy for the event. Also on hand will be Sonus Faber's Will Kline, McIntosh Group's Woody Compton, Clarus Cables' Joe Perfito and Merging NADAC's David Laikind.

Jefferson Airplane's "Volunteers" At 45rpm From Mobile Fidelity Still Revolting!

If you are too young to remember but want to experience the turmoil and dread that marked the end of the tumultuous 1960's and you want to view it through west coast music that veers from bucolic to anarchistic, from sublime to self-indulgent with a force and power rarely heard in today's noodling rock, here it is.

Primary Category: 
Artist: 
Jefferson Airplane
Album: 
Volunteers
Cred Label: 
RCA/Mobile Fidelity MFSL 2-457 2 45rpm 180g LPs
Cred Prod: 
Al Schmitt
Cred Eng: 
Rich Schmitt
Cred Mix: 
N/A (probably Rich and Al Schmitt)
Cred Mast: 
Krieg Wunderlich, Assisted by Rob LoVerde At MFSL, Sebastopol, CA
If you are too young to remember but want to experience the turmoil and dread that marked the end of the tumultuous 1960's and you want to view it through west coast music that veers from bucolic to anarchistic, from sublime to self-indulgent with a force and power rarely heard in today's noodling rock, here it is.

Say Hello to My "Little Fwend" Automatic Tone Arm Lifter

Analog Corner #73

"Corned beef and pastrami aren't exactly health foods, but when did clogging your own arteries become a crime?" I asked myself as I approached the corner of 7th Avenue and 53rd. But my first Carnegie Deli triple-decker in years would have to wait: yellow crime-scene tape encircled the entire block, making it look like a movie-set. Unfortunately, this production, teeming with police, ambulances, television news crews, and spectators, was real.

Pages

X