This essential, musically groundbreaking and sonically spectacular Gil Evans album recorded by RVG in 1960 and released February of 1961 will soon be issued as part of the Verve/Acoustic Sounds series, cut AAA using the original master tape.

Before getting to the image above, let's reiterate some cartridge set-up facts: despite the instructions that accompany most turntables and tone arms, you can't reliably set stylus rake angle to 92 degrees by putting your tone arm parallel to the record surface. Insuring that the cantilever is perpendicular to the record surface does not mean you've correctly set azimuth. Why do the manufacturers tell you to do those things? To make set up simple, instead of telling you what you need to do to accurately set these critical parameters.

Pro-Ject just announced a pair of low cost MM/MC phono preamps and a pair of sophisticated "record cleaning arms" and in the press release re-launched the $1999 Phono Box RS2.

Blue Note Records announces the 2021 Tone Poet Audiophile Reissue Series release schedule. Produced by Joe Harley, these are all-analog (where original recording was to analog tape), 180g audiophile vinyl reissues mastered by Kevin Gray at Cohearent Audio from the original master tapes. RTI presses in Camarillo, California (where no one these days is relaxing) and packaged in deluxe Stoughton Printing “old style” Gatefold Tip-On jackets.

The Nels Cline Singers doesn’t have a singer. The free jazz ensemble doesn’t even have a sewing machine. There you have it! Two! Two! Two jokes in one! A novelty name, yes, but the septet’s eclectic, shape-shifting music is serious musical business, though also as much fun as you might expect if you know bassist Trevor Dunn’s old group Mr. Bungle, which in 1990 started out as a death metal band, then a pseudo ska band and by 1991 into one sufficiently eclectic to draw the attention of John Zorn who produced its debut album.

(Press release): Charles Lloyd & The Marvels have released “Ramblin’,” a rollicking version of Ornette Coleman’s tune which is the first single from the legendary saxophonist and NEA Jazz Master Charles Lloyd’s forthcoming album Tone Poem out March 12 on Blue Note Records. The vinyl edition of the album will be the first new release to be featured as part of the acclaimed Tone Poet Audiophile Vinyl Series with the vinyl supervised by Joe Harley, mastered by Kevin Gray, pressed at Record Technology, Inc. (RTI), and packaged in a deluxe Stoughton Printing gatefold tip-on jacket. Fittingly, it was Lloyd who first dubbed Harley the “Tone Poet.” Tone Poem is available for pre-order now on vinyl, CD, and digital download.

At Making Vinyl Hollywood, 2019 Austria-based PHONOCUT demonstrated a still in development all-analog based home vinyl cutting system that uses blank vinyl (not lacquer) discs. At 4:52 in the embedded video at the above link you can watch the compact system cut a record and learn more about it.

“Do we really need yet another version of Patricia Barber’s café blue? was my reaction upon hearing about IMPEX Records’ new $125 “One-Step” edition of this more than a quarter century old (1994) Premonition release.

When NFL Films approached RTI (Record Technology Incorporated, Camarillo, CA) to shoot some pressing plant footage, RTI owner Don MacInnis had no idea for what the league might want the images.

This limited to 1000 copies lavishly packaged "one-step" edition of John Coltrane's Lush Life sold out shortly after it was announced. Did you miss anything? If it's a favorite, probably. I hesitated to review it, much like I don't review The Electric Recording Company's limited editions that almost immediately sell out upon release announcement, but given Craft's uneven release history (unlike that of ERC), a review seems appropriate.