Album Reviews

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Michael Fremer  |  Jan 27, 2022
Listening today to this record originally released February, 1962—60 years ago—it’s difficult to understand why it created controversy so intense that Downbeat’s editor at the time invited Coltrane and Eric Dolphy to “defend” it in print. On the other hand, if you’re looking for a jazz album entry point, this live album probably wouldn’t be it—especially side two. Sixty years on, “Chasin’ The Trane” (name given by RVG who said he literally had to “chase Coltrane” on mic to capture him during the performances) might still send some running for cover (or covers, of which there’s but one on here, Hammerstein and Romberg’s beautiful “Softly As In a Morning Sunrise”).

Michael Leser Johnson  |  Jan 24, 2022
Last year Deutsche Grammophon surprised me by releasing a double 45rpm pressing of American violinist Hilary Hahn’s latest album Paris. For those not familiar, Hahn is one of the violinists of our day, selling out concert dates with major symphony orchestras around the world, and releasing a slew of well received solo albums over the last 25 years. I first heard violinists singing her praises when I was a 16 year old student at Interlochen Arts Camp, and have enjoyed countless recordings by her in the years since, particularly her 2003 Bach Concertos recording with the Los Angeles Chamber Orchestra, which has never really left my rotation since I bought it a decade ago.

Michael Fremer  |  Jan 03, 2022
The Blakey was cut from 96/24 files according to Chris Bellman at BG Mastering for the surmised reason: the songs were on multiple tapes and the most expeditious way to produce cutting masters was to first digitize. The annotation wasn't clear but I don't think anyone was "trying to pull a fast one"._MF). It was Beatlemania when Art Blakey and the Jazz Messengers landed at Haneda Airport, New Year’s Day, 1961. Of course, The Beatles hadn’t yet happened, but neither had Blakey and his group ever been greeted in America with the rousing enthusiasm they encountered both upon landing and during the series of shows in which they performed in Japan that month.

Michael Fremer  |  Dec 23, 2021
The term “singer/songwriter” hadn’t yet been coined when the “hotter’n a depot stove” 29 year-old songwriter Willie Nelson stepped into the studio to record his debut album for Liberty Records. Back then, you were either a songwriter or a singer, though of course there were a very few who were both. Here, Nelson proves he was one of them

Malachi Lui  |  Dec 13, 2021
Uniquely deviating from the overplayed standard holiday music fare, Yen Records’ We Wish You A Merry Christmas is a Christmas LP actually worth your time, energy, and money. With exclusive material from Haruomi Hosono, Yukihiro Takahashi, Miharu Koshi, Taeko Ohnuki, Moonriders, and others, it creatively rounds up the YMO orbit in a cohesive holiday listen.

Michael Fremer  |  Dec 10, 2021
This Village Vanguard Inside Straight set was recorded December 2014 a week before bassist McBride recorded with his trio another Village Vanguard engagement that became his Mack Avenue debut album.

Malachi Lui  |  Dec 07, 2021
Primal Scream’s Screamadelica, released in September 1991, captured late 80s/early 90s UK rave culture’s peak. Unlike that era’s other UK “guitar bands” making dance music, Primal Scream was a Rolling Stones-esque rock band that—with the help of producers including Andrew Weatherall, The Orb, Terry Farley, and Hypnotone as well as singer Denise Johnson—drew from acid house in a seamless transition towards the current time. While it now sounds a bit dated, it remains a well-produced, relevant piece of rock history whose energy transcends any stylistic setbacks.

Michael Fremer  |  Nov 30, 2021
The always defiant, sometimes bitter and often angry Charles Mingus had a habit of declaring more than a few of his records as his best, including this one. He might be correct about The Black Saint And The Sinner Lady recorded January, 1963, though Tijuana Moods and several others are definitely in the running.

Malachi Lui  |  Nov 24, 2021
In June 1968, to record their second album Wow/Grape Jam, San Francisco psych rock band Moby Grape traveled to Columbia Records’ New York studios. Towards these sessions’ end, guitarist Alexander “Skip” Spence vanished with an acid mystic known only as “Johanna.” Her LSD induced a three-day trip, during which a paranoid Spence turned against his bandmates. Two days later, Spence reappeared at the band’s hotel with a fire axe; when he didn’t find them there, he hailed a cab to the studio, ready to attack. “His eyes were like one-arm bandits,” producer David Rubinson recounted in 2009. Police arrested Spence, who then spent five months in Bellevue Hospital’s psychiatric ward.

Michael Fremer  |  Nov 10, 2021
If Vince Guaraldi's A Charlie Brown Christmas is a melancholic look back at childhood Christmas viewed through the eyes of the Peanuts gang, Duke Pearson's 1969 Blue Note release Merry Ole Soul is the Christmas record you'll want to play at a hip holiday cocktail party.

Michael Fremer  |  Nov 03, 2021
Ella Fitzgerald's Christmas album is a secular holiday delight sure to please every listener, even atheists and agnostics. Originally released in 1960, the sound here is warm and inviting as a Yule log burning in the fireplace—once you get past the opener "Jingle Bells", which is somewhat brighter, brasher and more in your face than the rest, though having Ella in your face is hardly problematic.

Michael Fremer  |  Nov 02, 2021
In the worthy annotation to this historically remarkable release, educator and author of the biography “John Coltrane His Life and Music” Lewis Porter provides a play by play of this unlikely nightclub performance of Coltrane’s worshipful masterpiece recorded October 2nd 1965.

Malachi Lui  |  Oct 24, 2021
The cover of Fishmans’ “new” live LP Wakainagaramo Rekishi Ari (“Young, But With History”) might mislead you: after all, the drummer is wearing his own merch, the bassist’s baseball cap is far from stylish, and the eccentrically dressed frontman appears disconnected from reality, completely lost in his own music. And unless you live in Japan, you won’t see Fishmans albums in record stores, nor find them on “greatest albums” lists. So, what’s all the hype about?

Michael Fremer  |  Oct 11, 2021
(Update: I was wrong. These were cut from files and not from tape. The information I received was not clear. Some of the commenters are correct and I was wrong. I am always happy to end up with egg on my face to get correct facts published. These digital transfers are the best I've heard. I'm leaving the review "as is".. Brief and to the point: This is a previously unreleased Sarah Vaughan fan “must have” double LP set recorded at the Berlin Philharmonie November 9th, 1969 with Vaughan sympathetically backed by a trio of relative unknowns: Johnny Veith on piano, Gus Mancuso on bass and Eddy Pucci on drums. Mancuso’s story is fascinating and worth a read. You’ll have to fend online for yourself for more about the others.

Michael Fremer  |  Oct 05, 2021
Everything is true that you might have heard or read about this “off the beaten Tone Poet path” release.

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