Album Reviews

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Michael Fremer  |  May 01, 2007  |  0 comments

Despite once having endorsed Bose, Herbie Hancock is clearly a good listener. For his first Blue Note solo outing back in 1962 when he was just 22, he led with “Watermelon Man,” an irresistible “crossover” tune that could attract a crowd beyond Blue Note’s usual buyers. While Hancock says it’s based on a childhood recollection of street vendors, the song’s groove was very much in tune with “the street” circa 1962. Hancock’s playing is funky but not flamboyant.

Michael Fremer  |  Oct 01, 2007  |  0 comments

Let’s get right to the point of this reissue, which is the sound, since anyone shelling out big bucks for it is doing so because he or she is familiar with the music and loves it to death.

Michael Fremer  |  Apr 01, 2008  |  0 comments

Never mind the much-vilified Marine and ex-Obama pastor Reverend Wright, if you want to hear the unvarnished, angry, hurtful truth of an era not so long past, listen to this stark, musical reminder of race relations in early ‘60s America.

Michael Fremer  |  Jul 27, 2012  |  2 comments
This is the third album from Brooklyn based Clare and the Reasons and its first to be issued on vinyl. Movie, the group's 2007 debut features Van Dyke Parks and Sufjan Stevens to give you an idea of what's going on here.

Michael Fremer  |  Dec 01, 2006  |  0 comments

Bongos and an A-bomb sound effect commence “No Man Can Find The War,” the dramatic opening tune on Tim Buckley’s second Elektra LP, recorded in Los Angeles, June of 1967 as the war in Vietnam burned itself into the American psyche. An anti-war song, like so many others of the time, it speaks to the futility of war and look where we are almost forty years hence.

Michael Fremer  |  Sep 01, 2011  |  0 comments

(Note: this review originally stated that the lacquer cut was from the 3 track master. That was incorrect. The master here was the two track original that hadn't been used since 1980. While the tape had some dropout and other issues, mastering engineer George Marino determined it still sounded superior to any of the copies used for subsequent reissues.)

Michael Fremer  |  Sep 01, 2010  |  1 comments

If you didn’t know who was playing behind the honey-voiced Hartman on “They Say It’s Wonderful,” the opening track of this short, thirty one minute set, you’d probably never guess it was John Coltrane or that Coltrane asked Hartman to collaborate with him and his classic quartet on this mellow, relaxed and relaxing album, all of which was recorded April 7th, 1963.

Michael Fremer  |  Feb 01, 2008  |  2 comments

Bacharach and David walked a fine line between brilliance and kitsch during their collaborations with Dionne Warwick, creating for her a musical persona that was the original “desperate housewife,” though of a much more helpless and vulnerable variety.

Michael Fremer  |  Jan 19, 2003  |  0 comments

This much sought after 1956 Blue Note release "books" at a few hundred dollars in mint condition-if it's a "deep groove" pressing. Even the second press goes for around $150. In case you're unfamiliar, "deep groove" refers to a circular groove in the label area, not a description of the vinyl cut itself. Early Blue Note pressings (and those of many other labels) featured the distinctive groove.

Michael Fremer  |  Jun 01, 2003  |  0 comments

While this much-loved Blue Note lists Adderley as the group leader, this pick-up session--recorded in 1958, just before Kind of Blue--sounds, for the most part, as if Miles Davis is in control: or at least that his sensibilities at the time had deeply influenced Adderley's musical thinking. With Hank Jones on piano and the rhythm section of Sam Jones and Art Blakey, whoever is in charge leads the group through a set of three standards ("Autumn Leaves," "Love For Sale," and "Dancing in the Dark") and two originals (Nat Adderley's funky "One For Daddy-O" and Davis' own "Somethin' Else").

Michael Fremer  |  Jan 01, 2011  |  2 comments

Keb' Mo's mellow protest album recycles classics from the '60s and '70s, recasting them for the 2004 mindset witnessing the greatest strategic foreign policy mistake in American history. 

Michael Fremer  |  Jul 01, 2010  |  0 comments

World Music probably before there was such a term, this musical description of a dramatic, colorful Australian aboriginal dance ceremony told mostly with western classical musical conventions and instrumentation, though a ominous sounding primitive instrument called a bull roarer makes a dramatic appearance.

Michael Fremer  |  Jan 01, 2009  |  0 comments

True, The Who were once called The High Numbers, but can you imagine a more self-loathing album title than The Who By Numbers? Painting by numbers or doing anything by "the numbers" usually connotes rote work. It was an honest assessment of the album.

Michael Fremer  |  Jul 01, 2004  |  0 comments

At a time when glam “hair bands” reigned, and “synth bands” waned, two guys named David and a producer named Davitt decided to make a grittier sound—a rock-roots kind of album—yet one that didn’t stray completely from the synth strains still permeating pop music.

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