Album Reviews

Sort By: Post DateTitle Publish Date
Michael Fremer  |  May 30, 2013  |  20 comments
David Bowie fans who lost the thread around his Tin Machine days or who meandered mystified or perhaps less than fully satisfied through his end of century output and beyond need to return for The Next Day his first album in a decade, following his 2004 heart attack and major surgery. Not that Heathens wasn’t a good outing
Michael Fremer  |  Mar 02, 2016  |  27 comments
There's something deeply offensive to me about picking apart the sound on the David Bowie [Five Years 1969-1973] box set. The guy is gone, the sadness lingers and maybe it's time to just enjoy and celebrate the music.

Mark Smotroff  |  Oct 17, 2023  |  4 comments

David Bowie’s October 1973 covers album, Pin Ups, was actually somewhat of a placeholder, made with the intention to fulfill contractual requirements for his then-label, RCA Records — but it actually became a smash hit. To celebrate the album’s 50th anniversary, Parlophone is releasing a 180g 1LP half-speed-mastered edition on October 20. Read Mark Smotroff’s review to see if the new Parlophone Pin Ups is a worthy addition to your LP listening queue. . .

Mark Smotroff  |  May 19, 2023  |  2 comments

David Byrne’s The Catherine Wheel has long been a favorite release amongst his fervent fanbase, dating back to the album’s first, albeit abbreviated appearance on vinyl in December 1981. Finally, The Complete Score From the Broadway Production of “The Catherine Wheel” gets its full due on 2LP black vinyl, thanks to its Record Store Day 2023 release in a run of 6,500 copies. Read Mark Smotroff’s review to see if this expanded edition should become an essential part of your own Catherine Wheel listening experience. . .

Michael Fremer  |  May 01, 2005  |  0 comments

The three new Chesky works on this stupendous-sounding disc are easily his boldest, most ingenuous and fully realized compositions yet. One needn't be a classical music critic-and I've never claimed to be one-or even an experienced classical music listener (a claim I can make), to immediately grasp and appreciate both the conceptual audacity of the music, which melds traditional classical motifs with flamenco accents, South American folk music and contemporary jazz, and the skill displayed by the composer in weaving the thread of his concept throughout the three pieces. If you want a high-concept one line “treatment,” how about “Chesky and Stravinsky Joyride South of the Border and Return to New York to write up the trip?”

Michael Fremer  |  Apr 01, 2007  |  1 comments

After collapsing on stage three years ago and nearly dying of complications brought on by Hepatitis C, Austin, Texas based rock and roller Alejandro Escovedo returns with a deeply moving John Cale produced album that reclaims his past musical ferocity, while moving the 55 year old survivor forward into sensitive new musical and lyrical territory.

Michael Fremer  |  Oct 01, 2010  |  0 comments

This is a vinyl reissue of lo-fi home recording genius and underground hero Ariel Pink. These sometimes tuneful lo-fi experiments from a decade ago are interesting and probably very influential but there's no real reason to have them on double 180 gram vinyl given the lo-tech origins of the material.

Michael Fremer  |  Aug 01, 2011  |  1 comments

Long time Decemberist fans will note the return to basics on this set of sturdy, anthemic Colin Meloy penned Celtic-style folk-rock tunes packed with heroic, pseudo-mythical lyrics and mixed time metaphors.

Mark Smotroff  |  Mar 29, 2024  |  10 comments

In these 21st century times, there is arguably no better person more ideal to helm a 50th Anniversary remix of Deep Purple’s seminal March 1972 hard-rock classic LP Machine Head than Dweezil Zappa, and he’s done just that for the vinyl that’s included in the just-released 50th anniversary Machine Head deluxe box set. Read Mark Smotroff’s review to see if Dweezil’s new stereo mix makes the mighty Machine Head even better and stronger on vinyl — and, if so, how he was able to achieve such an aurally dynamic feat. . .

Michael Fremer  |  Mar 15, 2003  |  0 comments

Groups like Fairport Convention, The Incredible String Band, and Pentangle thrived in relative obscurity, even at their peaks. They're probably more appreciated and better known today than they were back in the 1960s. Low, a contemplative, musically soft-spoken trio from Duluth, Minnesota and playing since the early '90s, succeeds today with a similarly small but dedicated following much as those fabled "folk" groups did back then: quality of fans over quantity. Low tours, forms musical alliances with other groups (an EP with Australia's Dirty 3, for instance), and issues records and CDs. The band also sells T-shirts and other merchandise online. Most importantly, Low's thoughtful, enigmatic music is in some ways merits comparison to the now-legendary groups mentioned above.

Michael Fremer  |  Sep 01, 2006  |  0 comments

After releasing two perfectly conceived and executed if somewhat campy albums of “country and eastern,” Gray DeLisle is back with an off kilter but no less enticing and superb sounding third effort.

Michael Fremer  |  Jun 01, 2006  |  0 comments

The latest Sigur Rós album is yet another soundtrack to an imaginary movie you’re asked to create in your own head. The swelling orchestral resolves mostly corral you into thinking goodness and heavenly inspiration with singer "Jonsi"’s high pitched child-like (and sometimes cat-like) vocals sung either in a language of his invention and on some tracks for the first time actual Icelandic, making it easier for your personal invention as you’ll have no idea what he singing about. Not that it matters. The group’s music wears its mostly uplifting emotional heart on its sleeves.

Mark Smotroff  |  Apr 07, 2023  |  3 comments

These days, a new Depeche Mode album is cause for celebration, and the band’s just released 180g 2LP set, Memento Mori, is worthy of deep listening and devoted examination. Read Mark Smotroff’s review to see if Memento Mori stands tall with other classic entries in Depeche Mode’s storied vinyl catalog. . .

Michael Fremer  |  Jul 01, 2011  |  1 comments

The prolific, smoky-voiced Irish folk/rock singer Eleanor McEvoy has had an almost twenty year recording career, first on major labels, where she enjoyed mainstream success but after getting caught in an excess of red tape, she extricated herself and began recording for independents.  

Michael Fremer  |  Nov 18, 2013  |  3 comments
I don't know what "defo" is, but judging by this record, life after it is achingly melancholic. Actually after writing that I did web search and learned that "defo" means something like "certainty". So who can argue that life after certainty would leave you anything but melancholic or worse?

Pages

X