Album Reviews

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Michael Fremer  |  Nov 01, 2010  |  0 comments

This hard /progrock trio never got the media hype and they are rarely mentioned outside their own musical world, but Muse has made it big. How? The old fashioned way: hard work in the studio and constant touring. They have an intensely loyal fan base. Their worldwide touring grosses are impressive and they chart  well around the world

Michael Fremer  |  Jul 01, 2010  |  1 comments

Perhaps had the dulcet-toned baritone Johnny Hartman lived beyond sixty (he passed away from lung cancer in 1983) he might have experienced a resurgence similar to Tony Bennett’s&#151not that Hartman was ever as popular as Bennett.

Michael Fremer  |  Aug 01, 2005  |  1 comments

This simple 1957 session featuring the mellow-toned tenor sax player backed by Oscar Peterson's trio (bassist Ray Brown and guitarist Herb Ellis) plus drummer Alvin Stoller doesn't set off any sparks but like a good Cognac, it goes down easy and brings great warmth and much pleasure, both musically and sonically.

Michael Fremer  |  Feb 01, 2008  |  0 comments

This set, recorded a few weeks shy of fifty years of when I’m writing this stars a 51 year old Hawkins leading a well- recorded session date featuring J.J. Johnson, Hank Jones, Ocar Pettiford, Jo Jones, Barry Galbraith (guitar) and Idrees Sulieman. I had no idea who Barry Galbraith was until I read the liner notes, so I’ve listed his instrument in case you’re unfamiliar as well. Perhaps I’m just showing my ignorance. If you don’t know the others and what they play, you’re showing yours, though trumpeter Idrees Sulieman is not exactly a household name now and wasn’t even one in 1957.

Michael Fremer  |  Apr 01, 2011  |  1 comments

Gary Wilson inhabits a musical and cultural space somewhere between Donald Fagan, Son of Sam and Frank Zappa. The cult favorite is a creature of the night who obsesses about girls and his hometown of Endicott, NY just outside of Binghamton. He should live in a basement apartment if in fact he doesn’t.

Michael Fremer  |  Dec 01, 2010  |  1 comments

Even if this record evaporated in a cloud of smoke after one play like the "Mission Impossible" tape it would be worth buying just to hear young Clifford Brown's suave take on the ballad "Easy Living", reproduced with such graceful authority on this double 45—especially if your previous reference was either the CD or the 1974 UA/ Blue Note compilation Brownie Eyes (BN-LA267G), which was all I've previously had. 

Michael Fremer  |  Dec 01, 2007  |  0 comments

Jimi Hendrix’s second studio effort upped the outrageousness of his debut (British or American), beginning with what many would say was a sacrilegious, though eye-catching, cover and continuing with the opening bit of “nonsense about space ships and even space people.”

Michael Fremer  |  May 01, 2005  |  0 comments

Hendrix's psychedelic morning after pill was a gloriously unfocused affair, at times sprawling and tentative, at times like his “Star Spangled Banner,” timeless, brilliant and classic. At his most tentative that morning, playing with a newly assembled group, Hendrix was still in control, still exploding the limits on what one man can do with an electric guitar.

Michael Fremer  |  Dec 01, 2009  |  0 comments

You could accuse Herbie Mann (Herbert James Solomon) of “selling out” his serious jazz career for pop music stardom but that wouldn’t be fair.

Michael Fremer  |  May 28, 2003  |  0 comments

This odd scenic detour on Herbie Hancock's career path is well worth visiting 36 years later, both because of the intrinsic value of the music he created for the movie and because it resonates so effectively with the current interest in the "swinging '60s" popularized by (and sent-up in) the Austin Powers flicks--though on a far more cerebral plane than Powers could ever hope to reach. These culturally repressed and repackaged, often dead-ended times make looking back at Blow-Up--the movie--all the more alluring for its promise of excitement, sexual liberation, and a progressive changing of the socio-sexual guard.

Michael Leser Johnson  |  Jan 24, 2022  |  12 comments
Last year Deutsche Grammophon surprised me by releasing a double 45rpm pressing of American violinist Hilary Hahn’s latest album Paris. For those not familiar, Hahn is one of the violinists of our day, selling out concert dates with major symphony orchestras around the world, and releasing a slew of well received solo albums over the last 25 years. I first heard violinists singing her praises when I was a 16 year old student at Interlochen Arts Camp, and have enjoyed countless recordings by her in the years since, particularly her 2003 Bach Concertos recording with the Los Angeles Chamber Orchestra, which has never really left my rotation since I bought it a decade ago.

Michael Fremer  |  Apr 01, 2006  |  0 comments

The time between receiving this and finally writing about it is ludicrous. I’m almost embarrassed to post this in March of 2006. It’s been covered more extensively than most new jazz albums and I wouldn’t be surprised if it outsold most of them as well. On the other hand this music hasn’t been heard in almost 50 years, so what’s a more few months?

Michael Fremer  |  Jul 01, 2009  |  0 comments

This summer of 1955 set probably recorded at United in Los Angeles August 23rd and 25th 1955 just a few days after a successful Hollywood Bowl appearance finds Holiday covering standards in fine voice backed up a great small combo.

Michael Fremer  |  Jul 01, 2011  |  1 comments

Not one Hollies hit is among the twenty songs on this ten 45rpm 7" box set and that's the best part!

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