Album Reviews

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Malachi Lui  |  Nov 15, 2019
In 1964 while working for Canada’s National Film Board (NFB), filmmaker Gilles Groulx set out to make a documentary about winter, but instead used his then $75,000 budget to create Le chat dans le sac (English: The Cat In The Bag), an art house film about two lovers in early-mid ‘60s Montreal. An avid jazz fan as well, Groulx (through Jimmy Garrison) contacted John Coltrane to soundtrack the film. Coltrane agreed, and Groulx supervised the session at Rudy Van Gelder’s Englewood Cliffs, NJ studio. Instead of composing new material for the film (which he hadn’t seen), Coltrane, at Groulx’s request, re-recorded some of his older compositions such as “Naima” and “Village Blues,” after which Groulx, master tape in hand, drove back up to Montreal.

Mike Mettler, Mark Smotroff  |  Jun 17, 2025

Last week was indeed a tough one for those of us who listen to a lot of music on vinyl that initially made literal waves in the latter half of the 20th Century. Just two days prior to Beach Boys architect Brian Wilson’s passing at age 82 on June 11, 2025, funk/soul pop pioneer Sly Stone also passed away at age 82 on June 9, 2025. In the following in-depth analysis, AP editor Mike Mettler and our chief album reviewer Mark Smotroff combine forces to give us their collective overview of Sly’s best moments on vinyl. . .

Michael Fremer  |  Feb 01, 2008

Whether the release of this album or Dylan's "plugging in" at Newport in 1965 enraged fans more is debatable, but whichever way you see it, everyone agrees that this record was reviled when first released back in the Spring of 1969.

Mike Mettler  |  Oct 17, 2024

File this one under, “Reborn under a good sign.” Craft Recordings recently announced a Deluxe Edition release of In Session, the legendary December 1983 collaboration between the late, decidedly great blues guitar icons Albert King and Stevie Ray Vaughan, as an expanded 180g 3LP set on October 18, 2024 — as in, tomorrow! This historically important live performance — culled from King and SRV’s early-1980s joint TV appearance together in Canada — will be available in its entirety in various formats, but the best way to cue this one up is most definitely on vinyl. Read on to see AP editor Mike Mettler’s listening impressions of this new collection, what its three first-time-on-vinyl tracks are and how they sound, and what the SRP is for this new tri-gatefold set. . .

Mark Smotroff  |  Nov 22, 2024

As the 1980s gave way to the 1990s, legendary British Invasion songwriter, singer, guitarist, and all-around rock icon Pete Townshend of The Who was working hard, reinventing himself as something of a senior statesman clearly not ready to follow the directive of his iconic band’s October 1965 breakout hit single, “My Generation.” To that end, two of his more adventurous solo releases have just been reissued as new half-speed mastered 180g vinyl editions: June 1989’s The Iron Man: The Musical by Pete Townshend and June 1993’s Psychoderelict: Music Only — the latter making its first appearance on vinyl ever, and as a 2LP set to boot. Read Mark Smotroff’s combo review to see if either/both of these underappreciated latter-era Townshend solo LPs belong in your collection. . .

Mark Smotroff  |  Dec 19, 2025

The two albums we’re reviewing today are exciting prospects for us here at AP, because they also happen to be the first two offerings from Interscope/Capitol’s new Definitive Sound Series (a.k.a. DSS). DSS releases partake in the vaunted One-Step process, and this new series’ initial offerings couldn’t be more different. Said inaugural DSS releases are 180g 2LP One-Steps for a) alt-rock supergroup A Perfect Circle’s smash-hit May 2000 debut Mer de Noms, and b) ex-N.W.A rapper/producer Dr. Dre’s mega-platinum debut solo release, December 1992’s The Chronic. Read Mark Smotroff’s review to see why both of these DSS entries bode quite well for what’s to come in this exciting, ongoing series. . .

Michael Fremer  |  Mar 16, 2003

Why this elegant-sounding Chicago based band steeped in the best of 1970s folk/rock chose to name itself after an obscure, and pretty much ignored fish--a trout relative (Salvelinus malma) that is not pursued either commercially or as a sport fish--is a question I can't answer. Naming your band after a fish is odd--doubly so when it's one that makes it sound as if you're talking about a person instead of a group, as in "Have you heard Dolly Varden?" "No. Who is she?" Or another response: "Dolly Parton? No, but I heard she did a version of 'Stairway to Heaven'! What was she thinking?"

Michael Fremer  |  Dec 01, 2007

Talk about throwing it back to the 1980s! These guys channel Manifestoera Roxy, Brit/Industrial (Joy Division) and even Haircut 100 on their latest double LP set (CD included for easy iTunes/iPod loading).

Mark Smotroff  |  Jun 07, 2024

The acclaimed hybrid North Carolina/New York four-piece band The dB’s were on the leading edge of the gradually growing indie-rock movement as the calendar turned to the 1980s. Today, we are celebrating the first-ever U.S. vinyl edition of their highly influential January 1981 debut LP, Stands for deciBels, which is set for release by Propeller Sound Recordings next Friday, June 14. Read Mark Smotroff’s review to see why Stands for deciBels continues to stand tall as an influence on much of the music we listen to on vinyl today, and why this new domestic LP version belongs in your collection. . .

Shanon McKellar  |  Sep 25, 2024

What does it mean when a little-known album that hasn’t been reissued in 55 years becomes available again? In the case of Today’s Youth – Tomorrow the World — the 1969 debut from Texas-bred vocalist/guitarist Little Janice that was recently reissued as a 180g 1LP by Inner Groove Records — it means discovering some absolutely fantastic of-era soul, blues, and R&B music that’s been lost in the mists of time. Read Shanon McKellar’s review to see why Little Janice’s one-and-only LP deserves many a spin on your turntable. . .

Michael McGill  |  Sep 01, 2005

This record reminds me of the first Talking Heads album, '77 The music kicks in a stilted sort of way; the front man is more weird than powerful, but draws skillfully on the music for his punch, so that his oddball catchphrases (many of them about everyday things like cities, buildings, and doing a good job, lending a certain Richard Scarry earnestness) are driven into your head. He doesn't exactly chant, but it feels like he does. The album is actually more “good” than it is “fun to listen to”-I keep having to make myself put it on. But I'm often glad I did. But I don't listen for all that long.

Mike Mettler  |  Mar 04, 2026

He kept his eyes open all the time, and he also shot a man in Reno just to watch him die (or so he said). Of course, we’re talking about the one and only Johnny Cash, whose 1957 debut album on Sun Records, With His Hot and Blue Guitar, has just received a 180g 45rpm all-analog 1LP upgrade from Intervention Records. Read AP editor Mike Mettler’s review to see why Intervention have once again worked their unique analog magic with another vintage classic LP. . .

Michael Fremer  |  Oct 20, 2018
If you do a "Gene Clark" search on this website you'll find plenty to read and to listen to—including an AnalogPlanet Radio show dedicated to the late musician and former member of The Byrds. Please also read here the many record, book and documentary reviews covering Gene Clark's life and recorded output.

Michael Fremer  |  Sep 01, 2005

Today, Houston, Texas seems like one of the last places on earth a bluesman would want to call home (send those emails!), but Sam “Lightnin' “ Hopkins called it home, once he left his small town birthplace, nearby Centerville (population under 1000). His first Houston foray, sometime in the late 1930's, where he accompanied his cousin, the blues singer Alger Alexander, was a bust, so after working on a railroad and singing in the streets he returned home to Centerville.

Michael Fremer  |  Jan 01, 2010

The death of Noel Brazil, Mary Black’s long time collaborator and favorite songwriter, weighs heavily on the song selection here. The album is populated with songs of sadness, resignation and rebirth.

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