Album Reviews

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Album Reviews
Irish Singer's Moody 1987 Classic Reissued by Vivante
Michael Fremer  |  May 27, 2005

The veteran Irish singer Mary Black is probably better known among American audiophiles than among the general music-loving populace because her recordings are exquisite sounding, audiophiles tend to dig chick singers, and for some reason Black has never received major radio airplay.

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AAA VinylAlbum Reviews
Is "Interludes" Lyn Stanley's Breakthrough Album?
Michael Fremer  |  Jan 04, 2016
Lyn Stanley’s third effort had better not be more of the same I told her, but only because she asked. Otherwise, it’s really none of my business, especially since I would be reviewing it.

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Album Reviews
Is "The Soft Parade" Too Soft?
Michael Fremer  |  Aug 30, 2012
The fourth Doors album was not particularly well-received when first issued in 1969. The inclusion of horns and strings was for many a deal breaker, but what really made more pull back was the sense of a less than fully integrated ensemble appearing to come apart at the seams.

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Album Reviews
Is The Joy Of Music, The Job Of Real Estate Vulfpeck's Undoing?
Nathan Zeller  |  Sep 14, 2021
Picture a circus brimming with color, excitement, and unrestrained wackiness. Weld that mental image to your favorite funk performance, whether it’s a distant memory or one of the Internet’s many treasures. The result should be invigorating, intoxicating, and most importantly, a spot-on Vulfpeck depiction.

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Album Reviews
Is Steely Dan’s Gaucho Finally Worth Playing on Vinyl Again? The New 180g 1LP Geffen/UMe Edition Makes a Strong Case for It
Mark Smotroff  |  Feb 02, 2024

When Steely Dan’s Gaucho came out in November 1980 on MCA, it was at a time when that label was notoriously cutting corners, and quality control suffered. Fast-forward four-plus decades to the here and now, wherein we have a new 180 1LP edition of Gaucho to consider, one that’s been remastered by Bernie Grundman from a 1980 analog tape copy originally EQ’d by Bob Ludwig. Read Mark Smotroff’s review to see if this new vinyl edition of Gaucho is worth putting on your turntable. . .

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Album Reviews
Is The Kid A Mnesia Vinyl Set Worth Your Money?
Malachi Lui  |  Mar 01, 2022
In November 2021, Radiohead combined their “twin albums” Kid A (October 2000) and Amnesiac (May 2001) with a previously unreleased outtakes collection, Kid Amnesiae, for the highly anticipated three-disc Kid A Mnesia. Several formats are available: US and EU standard weight 3LP pressings on black (standard) and red (limited) vinyl, a similar 3CD set, a Japanese 3CD featuring Amnesiac B-sides excluded from most other Kid A Mnesia releases, a Kid Amnesiette limited edition double cassette (also featuring those Amnesiac B-sides), and the sold-out “Scarry Book.” The latter, a super deluxe 3LP package, lacks the Amnesiac B-sides but features a 36-page large-format art book and the 3 LPs on 180g cream-colored vinyl.

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Album ReviewsBeatles
Is The Beatles Singles Collection Box Really That Bad? (Malachi’s Follow-Up)
Malachi Lui  |  Nov 27, 2019
Before I get further into this follow-up review, a short disclaimer: other than the US Apple/Capitol singles of “We Can Work It Out”/“Day Tripper” and “Hey Jude”/“Revolution” (which, as expected, sound lousy), I don’t have any Beatles 7” singles other than this new The Singles Collection box. All my Beatles listening is on LP (the 2014 mono series, the Giles Martin remix LPs, and a few mono and stereo UK and European pressings) and the occasional lossless digital format, therefore from these recordings I’m used to great sound quality. My expectations for The Singles Collection (generously gifted to me by AnalogPlanet editor Michael Fremer) were likely different from most others’: sure, I expected the all-analog lacquer cuts to sound good, but sound quality on 7” singles isn’t the first thing I think about. With the 7” format, it’s primarily about the musical content, collectibility, packaging (when applicable), and finally, sound quality.

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AAA VinylAlbum Reviews
Is Your Collection Ready For a Dean Martin Record?
Michael Fremer  |  Jul 30, 2015
Perhaps it's because "Dino" cultivated a less than serious image as a friendly drunk or perhaps it's because of his long running role as Jerry Lewis's "straight man" in the most successful duo in comedy history, or maybe it was his long running "Dean Martin Celebrity Roast" television show.

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AAA VinylAlbum Reviews
Isaac Hayes’ Benchmark 1969 LP Hot Buttered Soul Soars to New Soulsville Heights Thanks to 180g AAA Small Batch Treatment From Craft Recordings
Mark Smotroff  |  Mar 15, 2024

In the circles of soul music fans, Isaac Hayes’ seminal June 1969 LP Hot Buttered Soul is well-known as a landmark recording, an album that helped break down conventions of what a hit soul recording could be. This four-song album originally went gold on the Enterprise label, but Craft Recordings just may have taken Hot Buttered Soul to new aural heights with their recently released AAA Small Batch 180g 1LP edition. Read Mark Smotroff’s review to see if the Small Batch version of this seminal soul LP belongs in your collection, STAT. . .

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Album Reviews
It Was Forty Years Ago Today! (Feb. 9th) The Beatles on The Ed Sullivan Show
Michael Fremer  |  Sep 01, 2003

The Beatles made four unforgettable live appearances on The Ed Sullivan Show, February 9, 16, 23rd 1964, and one more, over a year and a half later on September 12, 1965. While the fourth was almost anti-climactic, the first three rightly retain a mythological status, with an amazing 73 million Americans tuning in for The Beatles’s first appearance. In those pre-VCR, pre-400 cable channels days, The Beatles literally appeared out of nowhere, drove the teenagers in the audience crazy, and then disappeared, leaving the kids gasping for air and wondering whether they’d actually seen their idols, or hallucinated them. There would be no taped playback at home, or excerpts on “Entertainment Weekly.” The Beatles didn’t make “the rounds” and visit other shows, because there really weren’t any. Some still shots in Life or in some teenybopper magazine were the best that could be hoped for.

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Album Reviews
It's still Monk's Time!
Michael Fremer  |  Aug 01, 2009

The mid-sixties may not have been Monk’s most creative period but it was arguably his strongest and most focused both in the studio and onstage. If any jazz musician was poised to withstand the rock era it was Monk the performer and Monk the composer.

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Album Reviews
It's Still Schlock and Roll To Me!
Michael Fremer  |  Jul 01, 2011

The late New York Times rock critic Robert Palmer once wrote a Billy Joel review that was so scathing, so mean, so nasty and couched in personal terms, that even I, a fellow Billy Joel detractor (perhaps even a "hater" back then), cringed with embarrassment.

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Album Reviews
Jack Oblivian & The Dream Killers' Garage Rock Album Lost Weekend Gets The Adrenalin Pumping!
Michael Fremer  |  Aug 23, 2019
Memphis based "garage rocker" Jack (Yarber) Oblivian, formerly with Johnny Vomit & the Dry Heaves among other groups, recently released this adrenalin charge on Black&Wyatt Records and someone (I don't know who) sent it my way thinking I might like it even though the sound is, let's say "primitive" (no top, not much bottom, just some stuff in the middle) in a good way (some recorded to 4 track M.C.I.) but all of it purposefully squashed in a way that sort of reminded me of Don Van Vliet ("Sweet Thang"), but maybe that's because in some ways the performances did too, though it's far more punk-rocky and less bluesy.

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Album Reviews
Jack Tempchin's Fourth Quarter Romance
Michael Fremer  |  Sep 13, 2015
When I interviewed singer/songwriter Jack Tempchin recently I joked about why older songwriters often lose their creativity.

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Album Reviews
Jack White's Latest Album Is Excellent (In Case You Missed It)
Malachi Lui  |  Aug 02, 2018
“Rock is dead. No modern rock artist can have a number one album. Anybody who makes something this weird can't make the Billboard 200 at all, right?”

But to the words of cynics, Jack White says “I don't care” and spreads his statement across a 44 minute album that blends roof-shattering rock, blues, electronic, hip hop, country, spoken interludes, and even jazz. “The one who is prepared is never surprised”, I guess.

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