Album Reviews

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Michael Fremer  |  Nov 02, 2021  |  12 comments
In the worthy annotation to this historically remarkable release, educator and author of the biography “John Coltrane His Life and Music” Lewis Porter provides a play by play of this unlikely nightclub performance of Coltrane’s worshipful masterpiece recorded October 2nd 1965.

Michael Fremer  |  Feb 02, 2022  |  19 comments
Crescent, John Coltrane’s 9th Impulse! Album, released in the summer of 1964, followed a pair of live albums (Live at Birdland and Impressions [mostly live tracks from the Vanguard dates]) and a pair of collaborations (Duke Ellington & John Coltrane, and John Coltrane and Johnny Hartman) with Ballads—a quickly recorded album of standards sandwiched in between.

Mark Smotroff  |  Jun 28, 2024  |  7 comments

Original pressings of it from 1964 are scarce, as it was initially issued primarily in the UK. What’s a vinyl-loving fan of acoustic blues on a budget to do? Fortunately, Craft Recordings has come to the rescue, seeing fit to reissue John Lee Hooker’s legendary 1964 Riverside Records LP, Burning Hell as part of their new Bluesville series. Read Mark Smotroff’s review to see if this AAA edition of Burning Hell should be fired up or your turntable sooner than later. . .

Mark Smotroff  |  Feb 10, 2023  |  4 comments

There are many reasons why you’ll likely want to pick up the new 180g 1LP remaster of John Lee Hooker’s classic 1962 blues benchmark Burnin’, as great music and great sound are just part of the equation. Read on to get Mark Smotroff’s firsthand experiences spinning this scorchin’ blues classic via this all-analog remastered LP from Craft Recordings. . .

Michael Fremer  |  Apr 01, 2007  |  0 comments

This obscure little 1967 instrumental gem rescued from the dustbins of antiquity by Sundazed featuring guitarist Earl Hooker backed by an anonymous group of musicians including a drummer, bassist, organist, sax player and perhaps a rhythm guitarist, or Hooker’s overdubbing himself, is nothing more than a series of funky jams that show off Hooker’s unique curlicue guitar twanging style.

Michael Fremer  |  May 06, 2021  |  21 comments
At a time when “all you can eat” music almost force feeds us with more content than any of us can possibly consume, and “table hopping” seems to be the order of the day, it may seem counterintuitive to serve up a multi-course meal like John Lennon/Plastic Ono Band The Ultimate Collection— a 6 CD, 2 Blu-Ray deep dive remixed set that explores the deepest recesses of John Lennon’s pivotal and most consequential album.

Michael Fremer  |  Jul 09, 2017  |  9 comments
In the early 1960s Brazilian music washed up on American shores riding on an effervescent, sunlit wave of girls from Ipanema and up-tempo tunes like “Desafinado”, popularized by Stan Getz and Charlie Byrd on the breakthrough album Jazz Samba.

Ryan Clarin  |  Mar 01, 2021  |  10 comments
I Can See Your House From Here, originally released in 1994, is an outlier in the Tone Poet series, the bulk of which are past Blue Note titles, that for whatever reason or reasons, the label originally shelved only to release years later in limited production, and/or titles not released by other jazz audiophile outfits like Analogue Productions, Music Matters and Classic Records. The series also includes titles on Pacific Jazz, Solid State and a few other labels now under the Blue Note umbrella.

Michael Fremer  |  Mar 18, 2018  |  7 comments
Simon split from Garfunkel, Buffalo Springfield broke up. So did The Youngbloods, The Lovin' Spoonful and of course The Beatles. Yes, many '60s groups remained together, like The Rolling Stones and The Grateful Dead, but as the tumultuous '60s came to a close, others fragmented with leaders going solo.

Michael Fremer  |  May 01, 2010  |  0 comments

Far from the sad, wobbly finale you might be expecting, these last to be released Johnny Cash recordings are uplifting, inspirational and resolutely purposeful thanks to both Cash’s searing artistry and the sensitivity of the A&R work.

Nathan Zeller  |  Jul 09, 2021  |  7 comments
You’ve no doubt heard of Jon Batiste in conversation and song, for he’s currently an integral piece of the complex puzzle that is today’s version of musical entertainment and of being a musical entertainer. Being bandleader of Stay human, The Late Show with Stephen Colbert’s house band provides a steady gig and the financial stability that allows him to flourish and more easily express himself.

Michael Fremer  |  Nov 30, 2014  |  47 comments
Not that it’s any of my business, but I was disappointed reading that Joni Mitchell had nixed Taylor Swift’s playing her in a biopix. “All you’ve got is a girl with high cheekbones” she’s reported to have said.

Michael Fremer  |  Jul 01, 2010  |  1 comments

Josie Cotton, best known for her “controversial” 1980 song “Johnny Are You Queer” that turned into a minor international phenomenon while outraging evangelical types and has a back story worthy of a mini-novel, returns with a high low-concept album. You can search the internet for the backstory and watch her perform the song on YouTube.

Michael Fremer  |  Mar 09, 2017  |  4 comments
It doesn't slight to this well-produced, thoroughly engaging record to write that singer/songwriter/pianist/raconteur Judith Owen is best experienced live in concert.

Michael Fremer  |  Aug 01, 2003  |  2 comments

Yes

Jon Anderson was always busy exhorting listeners to “Get up!,” “Look around,!” “See yourself!,” etc. His lyrics feel like a Tony Robbins self-improvement course (“Take the straight and stronger course to the corner of your life,”), but Anderson and co. were doing it first and setting the self-help lectures to bombastic musical constructions. Because of Anderson’s lyrical themes, Yes could be preachy, pretentious, mechanical and cold, but you had to respect the musical craft—especially the rhythmic suppleness (it was smart to unleash Bill Bruford) and the group’s sophisticated manipulation of dynamics.

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