Album Reviews

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Michael Fremer  |  Oct 01, 2005

If you're expecting the young, daring Brian Eno to materialize after not making a vocal album for 28 years, you'll be disappointed. This is the reflective, contemplative work of a mature artist more interested in setting the table than in hacking it up and eating off of the floor.

Michael Fremer  |  Jan 01, 2011

Glen Rock New Jersey is a small town in Northern Bergen County.

Malachi Lui  |  Nov 06, 2018
Over the past 70 years, the world has been treated to Christmas songs recorded by Bing Crosby, the Vince Guaraldi Trio, Nat “King” Cole, and many others. These classics evoke the wonderful feelings of the holiday season among listeners of all ages. Happy Xmas is Eric Clapton’s attempt to create his own seasonal classic. With a “slight blues tinge” to holiday favorites, he falls painfully short with an amazingly boring, emotionless, and by-the-numbers album.

Michael Fremer  |  Mar 01, 2009

Can rock’n’roll still be dangerous in the 21st century? Escovedo’s latest says “yes” with conviction. Produced by veteran Tony Visconti (I don’t have to cite credits do I?), this is a tight, hard-hitting package of unadorned guitar-driven rock that opens with a tune that sounds like a Bruce Springsteen demo track recorded at a time when Bruce’s music and his performances raged with authenticity.

Michael Fremer  |  Feb 01, 2012

If I have to fight with you over the logic of releasing a double LP of music transferred from 78s, just think of your battles with digital lovers over the superiority of vinyl! I'm not suggesting that the original 78s from which this absolutely fascinating and often startling compilation was sourced sound like modern, full frequency response recordings. However, in the vital midrange, the sense of "living presence" is remarkable.

Michael Fremer  |  Aug 01, 2004

The review of the original Blix Street vinyl issue appeared in the February, 2003 musicangle.com home page. I wouldn't bet heavily against Nick Webb's Abbey Road mastering and Pallas's pressing quality, so when this S&P reissue showed up, I wondered how it could possibly improve upon the original—good as Steve Hoffman's work can be—but this reissue, mastered at AcousTech and pressed at RTI, does improve on the original.

Michael Fremer  |  Feb 01, 2012

Pure Pleasure’s musical archeological digs have managed to find some interesting obscurities, this Gil Evans session from 1959 being one of them. It certainly deserves to be brought to your attention. However, its appeal will be limited to aficionados of Evans’ arranging excellence than for any other reason, though many fine players are involved, particularly and obviously trumpeter Johnny Coles as well as Steve Lacey, among others.

Michael Fremer  |  Jun 01, 2005

Despite being an agnostic with an outright hostility towards religion, this double Grammy winning gospel/rock set by Ben Harper and The Blind Boys of Alabama masterfully recorded at Capitol's historic Studio B Hollywood Studio has spent more time on my turntable and iPod than most of what's been released lately.

Michael Fremer  |  Sep 01, 2006

While Mercury gets all the 35MM audiophile glory, Everest also produced a series of sonically spectacular LPs, many recorded on 35MM magnetic film by the late engineer-turned audio columnist Bert Whyte. The advantages of sprocketed 35MM magnetic film are zero “print-through,” minimal “wow and flutter,” higher signal to noise ratio and wider dynamic range than conventional ¼” or ½” recording tape.

Michael Fremer  |  Apr 01, 2009

Jenny Lewis can be coquettish, seductive, aggressive, sweet, warm, nostalgic, empathetic and, yes, acid tongued— though it’s a literal reference on the title tune.

Michael Fremer  |  Aug 01, 2009

Sergio Mendes’s frothy Brazilian pop reinterpreted for the hip-hop generation serves as the high concept for this 2006 release produced by The Black Eyed Peas’ will.i.am who also performs solo and with a guest list that includes Erykah Badu, Stevie Wonder, Q-Tip, John Legend and Justin Timberlake, among others.

Michael Fremer  |  Dec 01, 2006

The merger of Sony Music and BMG combined two of the world’s great film music catalogs, offering the potential for a truly exceptional film score compilation. This isn’t it. Instead this piece of shit excuse for an “essential” film score package is indicative of everything that’s wrong with the music business today. It lists for $25.00.

Michael Fremer  |  Jan 01, 2010

Some analog recordings shouldn�t be allowed be reissued on any digital format. There should be a law! You want to hear, say, Van Morrison�s rococo, acoustic/folk jazz masterpiece Astral Weeks?

Mark Smotroff  |  Aug 12, 2022

An excellent new, 180g half-speed-mastered vinyl reissue of The Who’s December 1967 classic third studio album The Who Sell Out has recently been released by Polydor/UMC, and the results are quite impressive. If you are a serious fan of this record, there is enough significant new detail resonating in this new Abbey Road Studios-cut 1LP edition to make it worth your while to pick up. Read on to find out all the details. . .

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