Album Reviews

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Michael Fremer  |  Aug 01, 2006  |  0 comments

Better late than never to discover this family of fanciful, faith-based music makers living in Clarksburg, New Jersey, a small hamlet located between Trenton and Point Pleasant on the New Jersey shore.

Michael Fremer  |  Jul 01, 2009  |  0 comments

Leave it to Pure Pleasure to unearth great, but obscure titles like this, but more importantly, kudos to the label for having the nerve to put their money where their eclectic musical tastes reside and release it! And this one’s a double, making the enterprise twice as risky.

Michael Fremer  |  Sep 01, 2011  |  0 comments

Mose Alison meets Steely Dan meets Gary Wilson is the best I can do to describe this hipster member of Hollywood's famous Dragon family's recent CD. 

Michael Fremer  |  Dec 01, 2006  |  0 comments

If there’s to be a second blues revival after the first one in the early ‘60s that led to the “rediscovery” of neglected artists like Son House and even Robert Johnson, the first great analog revival occurring right now will lead the way.

Michael Fremer  |  Jun 14, 2012  |  3 comments
Who begins a debut album with a dirge-like, mournful song taken at a heartbreakingly slow pace like Richard Manuel's "Tears of Rage?" The Band did on their debut album that didn't exactly hit the pop charts running.

Michael Fremer  |  Jan 01, 2011  |  2 comments

This is not Sam Beam's (A/K/A Iron and Wine) latest album. It dates from 2007. His first release, The Creek Drank the Cradle, was released back in 2002. Somehow that one, this one, his newest and all of his work escaped my attention until last year's AXPONA audio show in Jacksonville Florida where I saw the collected works in the bins of a Florida audio store owner who had a room at the show. I asked to hear something and he played a cut from this introspective, atmospheric and sonically enticing and well-produced album. I was hooked.

Michael Fremer  |  Aug 06, 2012  |  2 comments
All of Fiona Apple's albums have been been personal and confessional (some might say "self absorbed") but this one is really personal and confessional and attractively self-absorbed too.

Mark Smotroff  |  Oct 24, 2023  |  15 comments

The Rolling Stones have just released their first studio album of all-new material in 18 years, Hackney Diamonds. Naturally, it begs the question: Will Hackney Diamonds ultimately become a classic Stones album? We don’t know that answer for sure just yet, but read Mark Smotroff’s review to find out if the 180g 1LP vinyl edition of Hackney Diamonds and/or its litany of variants are worthy of many a repeat spin. . .

Michael Fremer  |  Jan 01, 2008  |  0 comments

There’s nothing groundbreaking on this 1960 Parlan-lead session, but that’s okay. The lure here isn’t the musical construction, since it covers familiar grooves and doesn’t move jazz forward. In fact, you’ll hear familiar gestures, some gleaned from Miles’ modal Kind of Blue issued a few years earlier, others from common blues.

Michael Fremer  |  Sep 01, 2010  |  1 comments

The back story here is that in May of 1963, the Yardbirds’ first guitarist, “pimply” 15 year old Anthony “Top” Topham stepped on stage with the new group at the Eel Pie Island Club.

Mark Smotroff  |  Jul 29, 2022  |  4 comments

Fleet Foxes’ new live and mostly acoustic A Very Lonely Solstice LP leans more toward the full-album concert experience I was hoping for on record. There is a nice sense of the church ambiance — this performance was recorded live at St. Ann & The Holy Trinity Church in Brooklyn, New York in December 2020 — that wonderfully captures the woody essence of Fleet Foxes bandleader Robin Pecknold’s strummy nylon-string guitar. Read on to learn more. . .

Michael Fremer  |  Mar 29, 2021  |  26 comments
The beating heart of this remarkable collaboration between electronic musician/composer Sam Shepherd, better known as Floating Points, saxophonist Pharoah Sanders and The London Symphony Orchestra is a repeated series of ethereal drops of glistening arpeggiated sonic dew Shepherd plays on synthesizer, piano and what sounds like a harpsichord over which Pharoah Sanders delicately flutters and dances—only occasionally producing the voluminous blasts heard in his late ‘60s and early ‘70s albums.

Michael Fremer  |  Dec 26, 2012  |  7 comments
The classically trained Cuban-born jazz pianist Elio Villafranca and his group the Jass Syncopators recorded this album Direct-to-Disk last Winter at the "Least Significant Bit Studios", which is actually a large room in the Sound-Smith.com production facility converted into a performance space/recording studio.

The double LP set is but one of many DirectGrace D2D records produced by Sound-Smith's founder Peter Ledermann to benefit a charity dedicated to helping some 215 million exploited children around the world enduring child labor, or abandoned to the streets due to the AIDS epidemic and other public health catastrophes.

Michael Fremer  |  May 01, 2008  |  0 comments

Before the folk revival of the 1950’s and ‘60’s fomented by the likes of The Weavers and later The Kingston Trio and Peter, Paul and Mary, there were the originals like Huddie Ledbetter, better known as Leadbelly. He was born in the 1880’s (exact date unknown) and he died in New York City, December 6th, 1949 of Amyotrophic Lateral Sclerosis, better known as “Lou Gehrigs Disease.”

Michael Fremer  |  Dec 01, 2011  |  1 comments

Instead of re-issuing this yet again, some folks argue that Analogue Productions should reissue newer albums. They are tired of hearing again what they already have. What they forget is that the last reissue of this classic was many years ago. Sorry, but time flies, especially as you get older. And guess what else? That issue by Classic Records is long out of print as is the one Mobile Fidelity first issued around twenty years ago when the label decided to re-enter the vinyl market and press its own records in Sebastopol.

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