Album Reviews

Time was, and not that long ago (well a decade or so ago), when you could easily find original pressings of this breezy addition to Ella's song book series, either as a double LP set or as two individual volumes. Fitzgerald was as much a popular singer as a jazz great, appearing often on popular venues like The Ed Sullivan Show, so her LP sales were brisk—especially the Verve songbooks. I found my original copies of these at a house in Hackensack, NJ fifteen years ago. What an Ella find that garage sale was! A real fan was jettisoning her LP collection and I was more than happy to oblige for a buck apiece.

This impeccably produced (by Norman Granz, who literall built Verve Records and later Pablo around her), career summing concert takes Ella from her beginnings with the Chick Webb Orchestra to her then current quartet featuring Tommy Flanagan, Keeter Betts, Joe Pass and Freddie Waits, all brilliantly choreographed by master showman/producer/record executive Norman Granz along with Newport producer George Wein. 

EC has always been a fine interpreter of American soul music as his much maligned but dependable and surprisingly durable and jumpy set Get Happy proves. Though only two songs were not written by Costello ("I Can't Stand Up For Falling Down" and "I Stand Accused") much of the album feelsAmerican-sourced, whether country ("Motel Matches") or ghetto. By the way, try to find a UK F-Beat original. Even though it packs 10 short songs per side, it still sounds more dynamic and punchy than Rhino's last CD version and it wallops the flaccid American Columbia LP original. The "ringwear" on the jacket is part of the artwork, though some twit at Columbia removed it fearing you'd be too stupid to get the joke.

In the mid-1990s, Elvis Costello stunned many in the music world with the release of an outstanding song he composed with no less than the great hit-making maestro Burt Bacharach, the composer of many iconic pop standards, acclaimed film soundtracks, and even a Broadway show. Soon enough, they collaborated on a celebrated full album, Painted From Memory, and now, 25 years later, the scope of their work together is being properly feted in both 140g 2LP+4CD and 140g 2LP editions of The Songs of Bacharach & Costello. Read Mark Smotroff’s review to see which version of the release immediately belongs in your collection. . .