Album Reviews

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Michael Fremer  |  Feb 15, 2013
Ella's lushly orchestrated songbook albums were popular when first issued in the '50s and '60s and again more recently as reissues. They were not just popular. They were transformational, whether she was re-interpreting Cole Porter, the Gershwins, Ellington, Irving Berlin or Jerome Kern.
Mark Smotroff  |  Apr 25, 2025

By now you’ve probably heard the news that Elton John has paired up with Americana crossover phenomenon Brandi Carlile on their fine new Top 10 LP Who Believes in Angels?, which was released by Rocket/EMI on April 4, 2025. Given all the advance hype, we suspect some of you fence-sitters are probably wondering how the album actually sounds on vinyl, so read Mark Smotroff’s review to see how it holds up to repeated spins. . .

Mark Smotroff  |  Mar 24, 2023

A new 180g 2LP edition of Elton John’s classic January 1972’s Honky Château album has just been released, and it includes two sides comprising solely of unreleased session demos. Mark Smotroff gives us his take on the expanded edition one of the Rocket Man’s most hailed early LPs, the one that kicked off an incredible chart runs of six consecutive No. 1 albums. . .

Michael Fremer  |  Jan 01, 2007

EC has always been a fine interpreter of American soul music as his much maligned but dependable and surprisingly durable and jumpy set Get Happy proves. Though only two songs were not written by Costello ("I Can't Stand Up For Falling Down" and "I Stand Accused") much of the album feelsAmerican-sourced, whether country ("Motel Matches") or ghetto. By the way, try to find a UK F-Beat original. Even though it packs 10 short songs per side, it still sounds more dynamic and punchy than Rhino's last CD version and it wallops the flaccid American Columbia LP original. The "ringwear" on the jacket is part of the artwork, though some twit at Columbia removed it fearing you'd be too stupid to get the joke.

Michael Fremer  |  Jun 10, 2013
When first released by RCA as a single LP back in 1988 (RCA 9589-1-R) this album, probably sourced from digital, created a sensation—at least among the legions of Elvis Presley fans.
Mark Smotroff  |  Feb 24, 2023

In the mid-1990s, Elvis Costello stunned many in the music world with the release of an outstanding song he composed with no less than the great hit-making maestro Burt Bacharach, the composer of many iconic pop standards, acclaimed film soundtracks, and even a Broadway show. Soon enough, they collaborated on a celebrated full album, Painted From Memory, and now, 25 years later, the scope of their work together is being properly feted in both 140g 2LP+4CD and 140g 2LP editions of The Songs of Bacharach & Costello. Read Mark Smotroff’s review to see which version of the release immediately belongs in your collection. . .

Mark Smotroff  |  Sep 02, 2022

In January 1993, Elvis Costello spearheaded a fascinating album inspired by a newspaper article about a professor from Verona, Italy who had taken it upon himself to write replies to letters that were addressed to Shakespeare’s tragic — and imaginary — character, Juliet Capulet. Called The Juliet Letters, Elvis’ song cycle imagined and brought these letters to life, as backed by a highly talented string quartet known as The Brodsky Quartet. It may be a good time for reconsidering this wondrous recording, now that The Juliet Letters is available on 180g 1LP limited-edition purple vinyl. Read on to discover more about this new vinyl edition of one of Elvis Costello’s most ambitious musical works. . .

Mark Smotroff  |  Dec 18, 2024

We didn’t have a new album from Elvis Costello and T Bone Burnett on our 2024 checklist — but here we are enjoying an unexpected yet long overdue brand-new self-titled 2LP set by their alter-ego personas known as The Coward Brothers. We also get a second, related vinyl gift — a 2024 reissue of Elvis’ masterful February 1986 LP credited to The Costello Show, King of America. Read Mark Smotroff’s combo review to see if both of these Costello/Burnett LP collabs are worthy, right-before-the-holiday-break additions to your collection. . .

Michael Fremer  |  Aug 09, 2017
A heavenly pairing of Bacharach's suburban pop melodic intent and Costello's insightful lyrics that well-capture the required Bacharach late afternoon bedroom melodrama produced this 1998 gem of a soap operatic collaboration.

Michael Fremer  |  Apr 14, 2015
E.C.’s tenth studio record, released in 1986, is among his finest musically and sonically, which explains why it wasn’t well received on the pop charts. It only went to #39.

Michael Fremer  |  Sep 01, 2011

While American soul music— northern urban and southern rural—and UK-via-the-Caribbean-derived Ska course through the veins of the fourth Elvis Costello and the Attractions album,  the flesh thankfully remains white limey. 

Michael Fremer  |  Jan 03, 2013
The song "Imperial Bedroom" does not appear on E.C.'s fourth album issued back in 1982 but it does as a bonus track on Rykodisc's twofer CD. The twofer's other album Almost Blue does not include the song "Almost Blue," which is on Imperial Bedroom. Got that?
Michael Fremer  |  Sep 01, 2010

Listening to Elvis makes clear his indebtedness to Dean Martin and Bryan Ferry’s to Elvis. No doubt Paul McCartney was imitating growing up too. There’s not been a voice like it since, which for detractors is a good thing.  

Michael Fremer  |  Feb 01, 2007

Elvis’s first post-Army album created a sensation when it was released just one month after he entered Nashville Studio B on March 20th, 1960, two week after his release from the Army. Unfortunately, for Presley and RCA Elvis Is Back! wasn’t a big seller because it didn’t contain any hits. Presley had been away for two years.

Michael Fremer  |  Sep 01, 2010

Elvis’s first post-Army album created a sensation when it was released just one month after he entered Nashville Studio B on March 20th, 1960, two week after his release from the Army. Unfortunately, for Presley and RCA Elvis Is Back!  wasn’t a big seller because it didn’t contain any hits. Presley had been away for two years.

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