Album Reviews

Sort By: Post DateTitle Publish Date
Michael Fremer  |  Jul 01, 2011

The Cuban born, classically trained jazz pianist Elio Villafranca plays in a lyrical, yet not quite florid style that moves from Latin style fiery and dramatic one moment to deeply introspective and abstract the next.

Michael Fremer  |  Sep 15, 2013
Like Marshall Crenshaw’s debut, Cyndi Lauper’s first album would be difficult to top and neither she nor Crenshaw managed to do it. Better to peak early than not peak at all—not that either of them didn’t release some very good follow-ups.

Michael Fremer  |  Apr 01, 2015
Squishy, sticky, elastic beats, some so slow and off-kilter that they threaten to fall apart, ghostly falsetto harmonies, cavernous empty spaces between the rhythmic wah-wah pulses and a distant, almost other-worldly sonic perspective announce D’Angelo’s singular sinewy yet gentle vision.

Michael Fremer  |  Aug 10, 2013
Escaping The Doors' "Light My Fire" was impossible throughout 1967's "Summer of Love". Likewise, unless you shuttered yourself indoors throughout this year's "Summer of Blah" you simply couldn't avoid Daft Punk's break out hit "Get Lucky" culled from the unlikely number eight spot in the album's thirteen song sequence.

What do I mean by "Summer of Blah"? Is this not the most, compliant, passive, drippy, "blah" generation to come down the pike in decades?

Michael Fremer  |  Jul 16, 2012
Originally released in June of 1972, Bowie's "rock concept album" broke the then still obscure musician and changed the face of rock'n'roll forever—and that ain't hyperbole. If this wasn't the album that gave Freddie Mercury his dream, I can't imagine what was.

Michael Fremer  |  May 30, 2013
David Bowie fans who lost the thread around his Tin Machine days or who meandered mystified or perhaps less than fully satisfied through his end of century output and beyond need to return for The Next Day his first album in a decade, following his 2004 heart attack and major surgery. Not that Heathens wasn’t a good outing
Michael Fremer  |  Mar 02, 2016
There's something deeply offensive to me about picking apart the sound on the David Bowie [Five Years 1969-1973] box set. The guy is gone, the sadness lingers and maybe it's time to just enjoy and celebrate the music.

Mark Smotroff, Mike Mettler  |  Jan 30, 2026

Fifty years ago, upon the release of his 10th studio album on RCA, January 1976’s Station to Station, David Bowie painted a firm portrait of his future, presenting his Thin White Duke persona that was first hinted at on March 1975’s Young Americans. Now celebrating its so-called Golden Jubilee, Station to Station was re-released 50 years to the day on January 23, 2026, via Parlophone in a new half-speed-mastered, audiophile-worthy limited-edition 180g LP, alongside a fun, companion picture disc option. Read Mark Smotroff’s review to see if you need to check into either/both of these STS reissues. . .

Mark Smotroff  |  Oct 17, 2023

David Bowie’s October 1973 covers album, Pin Ups, was actually somewhat of a placeholder, made with the intention to fulfill contractual requirements for his then-label, RCA Records — but it actually became a smash hit. To celebrate the album’s 50th anniversary, Parlophone is releasing a 180g 1LP half-speed-mastered edition on October 20. Read Mark Smotroff’s review to see if the new Parlophone Pin Ups is a worthy addition to your LP listening queue. . .

Mark Smotroff  |  Sep 19, 2025

While we’re saving our final determinations for what the best box sets of 2025 are for later in the year, the new mega-multi-LP collection from David Bowie, 6: I Can’t Give Everything Away: (2002 – 2016), is certainly a contender. In short, it’s an amazing study of the man, his music, and enduring vision. Read Mark Smotroff’s review of this massive 180g 16LP/2EP collection to see why it’s well worth the investment. . .

Mark Smotroff  |  Jul 18, 2025

David Bowie’s March 1975 LP release on RCA, Young Americans, was an album that in some ways divided fans and his career, having come out in the aftermath of shedding his Ziggy Stardust persona and not long before the full-flowered emergence of his suave and sophisticated Thin White Duke phase. Read Mark Smotroff’s review to see if Parlophone’s new half-speed-mastered 180g 1LP reissue of this transitional and transformational Bowie release gives you good reason to reconsider the music and sound of Young Americans, one of the more underappreciated classics in the mid-’70s Bowie catalog. . .

Mark Smotroff  |  May 19, 2023

David Byrne’s The Catherine Wheel has long been a favorite release amongst his fervent fanbase, dating back to the album’s first, albeit abbreviated appearance on vinyl in December 1981. Finally, The Complete Score From the Broadway Production of “The Catherine Wheel” gets its full due on 2LP black vinyl, thanks to its Record Store Day 2023 release in a run of 6,500 copies. Read Mark Smotroff’s review to see if this expanded edition should become an essential part of your own Catherine Wheel listening experience. . .

Michael Fremer  |  May 01, 2005

The three new Chesky works on this stupendous-sounding disc are easily his boldest, most ingenuous and fully realized compositions yet. One needn't be a classical music critic-and I've never claimed to be one-or even an experienced classical music listener (a claim I can make), to immediately grasp and appreciate both the conceptual audacity of the music, which melds traditional classical motifs with flamenco accents, South American folk music and contemporary jazz, and the skill displayed by the composer in weaving the thread of his concept throughout the three pieces. If you want a high-concept one line “treatment,” how about “Chesky and Stravinsky Joyride South of the Border and Return to New York to write up the trip?”

Mark Smotroff  |  Sep 13, 2024

With Luck and Strange, David Gilmour has graced us with another fine solo LP that he himself considers among his best. Read Mark Smotroff’s review to see how Luck and Strange indeed stacks up with the benchmark releases in the storied Pink Floyd canon as well as with his prior solo work. . .

Michael Fremer  |  Apr 01, 2007

After collapsing on stage three years ago and nearly dying of complications brought on by Hepatitis C, Austin, Texas based rock and roller Alejandro Escovedo returns with a deeply moving John Cale produced album that reclaims his past musical ferocity, while moving the 55 year old survivor forward into sensitive new musical and lyrical territory.

Pages

X