Interviews

Ian Hunter is a survivor. Not only that, but the veteran British vocalist of Mott the Hoople fame and a lengthy and fruitful solo career shows no signs of slowing down at age 83. The keen evidence laid out before us are the ten balls-out rockers populating his latest solo album, Defiance Part 1, released via Blue Cat/Sun Records on April 21 on black vinyl. In a recent Zoom audio interview with AP editor Mike Mettler, Hunter discusses what he means by recording his music “back to front,” why Mott the Hoople’s version of “All the Young Dudes” endures to this day, and how Jerry Lee Lewis first got his juices a-goin’ to become a killer performer and recording artist. Don’t be shy — read on to get fully bitten by the Hunter mystique on vinyl. . .

M.F.:Now that whole "Dynagroove" thing. Do you want to....

J.P.:Well, I'll dispose of it quickly. Some of them were great, great recordings too.

M.F.:Recordings yes, but....

J.P.:Yeah.

M.F.:Once they got on to disc though....

J.P.:Well.

M.F.:The difference was in the cutting, correct? It wasn't in anything else.

J.P.:It was in two places, basically. It was in the cutting, but it was also in the mix down, because the head of our engineering department came up with a device to make the translation from a high level of listening to a moderate level of listening that most people listen to. And to make that translation from listening to it at high level to low level or lower level, it changed the whole ear characteristic change.

Jethro Tull’s Ian Anderson has been on a deeply entrenched spiritual quest of late. On Tull’s latest and 23rd studio album overall, RökFlöte, which was released on vinyl via InsideOut Music on April 21, he addresses the tenets of Norse paganism. In a recent Zoom interview with AP editor Mike Mettler, Jethro Tull’s once and future leader discusses the inner workings of RökFlöte, when he finally felt like Jethro Tull had gotten the right mix of their music on vinyl, and how the act of breathing is vitally important when it comes to both his singing and his flute playing. Read on to glean all of Ian Anderson’s earthly vinyl proclivities. . .

In a career spanning almost 30 years and 18 albums, Joan Armatrading has established herself as one of the most durable and respected artists in popular music. Her honesty and integrity as both a musician and world citizen are rare in a field that regularly breeds shooting stars.

Born in the West Indies on the island of St. Kitts in 1950, and moving to England when she was 7, Armatrading absorbed both the lilting, sunny rhythms of the Caribbean and the grittiness of post-industrial Birmingham. Her tough, yet vulnerable musical stance has influenced two generations of performers, attracted to her unique, difficult to categorize brand of music.