Interviews

M.F.:Here and there. Okay. Now what's happening with these Everest 35MM tape classical LP titles. Are they selling?

S.H.:Yeah. We would like to do some more. It's so expensive

M.F.:What 35 millimeter plyaback chain are you using to play those back?

S.H.:We're using a local collector in Los Angeles who has a pretty good sounding set up.

M.F.:It's a Westrex?

S.H.: It's been modified a little bit, but it's still very hard on the film.

Sometimes, musicians come together at a specific moment in time and capture lightning in a pop bottle. Such was the case with Tinted Windows, the unfortunately short-lived post-punk power-pop foursome that came together in 2009 and was comprised of the late, great bassist/composer Adam Schlesinger (Fountains of Wayne), guitarist James Iha (The Smashing Pumpkins), lead vocalist Taylor Hanson (Hanson), and drummer Bun E. Carlos (Cheap Trick). In honor of the self-titled album’s 15th anniversary, BMG is releasing Tinted Windows on vinyl for the first time on April 20, 2024, as a Record Store Day Exclusive in a limited edition of 1,800 copies. In a recent Zoom interview with AP editor Mike Mettler, Hanson discussed how rewarding it’s been to finally have Tinted Windows available on vinyl, how the “bliss” of record listening is inevitably intertwined with the vinyl experience, and how the very existence of music helps further the tenets of human connection. . .

>(Editor's note: back in 1985, with the release of Richard Thompson's Across A Crowded Room and Linda Thompson's One Clear Moment, the two were in Los Angeles at the same time and I got to interview them, both on the same day.

The assignment brought back still-raw memories of the legendary June, 1982 Roxy appearances by Richard and Linda Thompson in support of their final collaboration, the masterpiece Shoot Out the Lights, recently reissued on 180g vinyl by 4 Men With Beards.

Everyone knew the couple had broken up and this would be the last chance to see them live. To add personal insult to musical injury, I called my ex-girlfriend who'd left me four months earlier, and with whom I was still in love, and asked her if she'd like to attend the show. She said yes, and so there we were sitting once again across from each other as we'd done so many times at concerts and clubs for the previous four plus years. Whatever was going on in our heads (or at least mine) played out that evening on stage. Here's the piece written in the aftermath of the two interviews—M.F.)

Even though they initially took flight in the burgeoning digital age as the calendar turned to the 1990s, The Black Crowes have always had an analog-centric mindset. During a recent Zoom interview with AP editor Mike Mettler, Black Crowes lead vocalist Chris Robinson and lead guitarist/vocalist Rich Robinson, alongside producer George Drakoulias, all came together to discuss how finding the original quarter-inch master unlocked the Southern Harmony vinyl collection, which vintage turntables both Brothers Robinson swear by, and why sequencing the album for vinyl playback was always of primary consideration. . .

There’s a special intuitive connection certain musicians share that cannot be qualified in technical terms, but can instead be described as being both magical and mysterious. Case in point: the 60-years-and-counting musical mindmeld between lead vocalist Colin Blunstone and keyboardist/vocalist Rod Argent, the twin driving forces behind British invasion stalwarts The Zombies. Still going strong today, The Zombies are on the precipice of the imminent release of their seventh studio album, Different Game, which comes out in fine 1LP form on March 31 via Cooking Vinyl. In a recent Zoom interview with AP editor Mike Mettler, Zombies vocalist Colin Blunstone discussed the connective sonic tissue between Different Game and their 1968 masterpiece Odessey and Oracle, why he prefers hearing songs like “Time of the Season” in mono, and why the Odessey album benefitted from some things The Beatles left behind in EMI Studios while they were recording their legendary June 1967 Sgt. Pepper album. Read on to glean all the properly seasoned details. . .

Matthew' Greenwald Sparks Van Dyke Parks

MG: Well, let's first hit that great rewind button in the sky... After you attended Carnegie-Mellon in Pittsburgh, I believe that one of the first professional jobs that you got as a musician was playing clarinet on Art Linkletter's television show, "House Party"...

Van Dyke Parks: (Laughter) No, I came out to California expecting that job to be waiting for me... It didn't happen. (Laughter)

MG: So, you came out here and lived with your older brother, Carson?

VDP: Yeah, we lived in Seal Beach.

MG: So I guess at that time you kind of set the clarinet aside and learned 'Raquinto' style guitar... Did the two of you play coffee houses?

VDP: Well, we played all of the hip places to play. We played all the way from San Diego to Santa Barbara. We went up and down the coast and played all these places.

Mike Campbell, the consummate sideman, is now fully embracing his role as the frontman and bandleader of The Dirty Knobs, the long-running sideproject of his that has become his primary creative focus since the unfortunate passing of his lifelong friend and Heartbreakers/Mudcrutch bandmate Tom Petty in 2017. Here, Campbell tells Analog Planet exclusively why he prefers vinyl for his Dirty Knobs releases, how a somewhat inadvertent recurring mono listening situation in his youth ultimately informed his ongoing stereo proclivities, and which Tom Petty & The Heartbreakers song he feels will stand the test of time. Read on, into the great wide open. . .