I don't know Graham Slee from Gram Parsons, or which House he was in at Harry Potter's Hogwarts School, but let me tell you: If you'd just been listening to a bunch of budget phono preamps, as I had, then came upon the GSP Audio Era Gold Mk.V, you'd think someone had switched out not just the phono preamp but your entire system. You might think you were listening to a different pressing or a different cartridge. How can this be?
For almost two decades now British phono preamp manufacturer Graham Slee has been designing, producing and selling specialized high quality phono preamplifiers. His latest is the $1449 Accession, an unusually versatile model that includes a volume pot, which means the Accession can be used as preamplifier to drive a power amplifier. If all you plan on doing is playing records using one turntable and a moving magnet cartridge (or a high output MC or moving iron), the Accession obviates the need for a separate preamplifier.
Conceptually audacious, elegantly designed, executed with space-age precision, and remarkably compact, Grand Prix Audio's direct-drive Monaco turntable ($19,500) aims to turn the tables on the belt-drive designs that have dominated analog playback for three decades.
The sleek new Grand Prix Audio Parabolica direct drive turntable made its debut at the just ended Los Angeles Audio Show 2017 (shown here with TriPlanar arm and Lyra Etna cartridge).
Single-line guitarist Grant Green's fourth Blue Note album released in 1962 is as easy to listen to and relaxing as the title suggests. Kenny Drew is on piano with Ben Tucker, bass and Ben Dixon on drums in a set of six tunes with inspiration and/or vaguely religious themes, three of which are Green originals.
Don’t let the October 16th 1956 mono recording date fool you: this Jean-Baptiste “Illinois” Jacquet session was recorded in Los Angeles, probably at legendary Radio Recorders, and the sound will knock you down.
This most popular of Green Day albums, a swell kiss off to Bush and his rogue administration is now so old it’s grown whiskers, but it hasn’t lost any of its punch. In fact, cut to wax it intensifies into a category five musical and political hurricane.
Neil Young and Crazy Horse is either one of your life's great musical pleasures, or you just can't take the slop. Me? Beginning with Everybody Knows This is Nowhere I have eaten it up. If you haven't liked the combo before, this sprawling, loose-fitting “concept” album isn't likely to pull the trigger for you. Critical reaction was decidedly mixed, but who cares what critics think? Myself included.