The "Jay Jay French Connection Podcast" just published the Ken Kessler and Michael Fremer "Analog Wars Part 1" Interview." Ken alone is hilarious, and me alone? Pretty funny, but the two of us together can be cataclysmic. No doubt you know who Ken is, but in case you don't know, Jay Jay French is a founding member of the heavy metal band Twisted Sister and a contributor to Stereophile. He also worked at now closed Lyric Hi-Fi in New York City.
I think this video wraps up Ken Micallef's interview with me. It covers more jazz LP favorites, Rudy Van Gelder's legacy and plugs my turntable set-up DVD. It includes anecdotes, humorous asides, etc.
In the second video interview Ken Micallef asked me to talk about the Transco/Apollo lacquer fire and that led to a discussion about Scientology's use of metal parts to store L.Ron Hubbard's speeches. Or at least as much about it as I know.
Jazz Vinyl Audiophile and Stereophile writer/reviewer Ken Micallef recently visited and interviewed me for his YouTube channel. Thanks to snappy editing and photo insertions, he's produced a fast-paced video you might enjoy watching. This is part 1 of 2 parts.
This is the final installment of Ken Micallef's interview with me. He's a really great editor. Impeccable timing. Makes sense. He's a drummer. Plus I was on fire.
Woody Allen famously said "80% of success is showing up." 16 year old recording engineer/producer Ken Scott showed up at EMI Studios less than a week after writing a letter requesting a job interview. He "passed the audition" and was rewarded with a job in EMI's tape library.
On his posthumous album The Sky Is Crying, Stevie Ray Vaughan covers "Chitlins Con Carne", the opening tune on this seminal 1963 jazz/blues release. The annotation includes a quote from brother Jimmie who said that the album was "...a tribute to Stevie's heroes...." among whom was Burrell. Despite his undeserved reputation as a "note-slinger", SRV's version evokes the delicacy, nuance and open spaces found on the original.
Of Montreal’s Kevin Barnes makes Freddie Mercury, Prince and David Bowie sound positively macho. His whiney vocalizing and gay shrieking makes glam-rock sound like Led Zeppelin. And while a Mercury song like “We Are the Champions” has become a ball game anthem, nothing in the Barnes oeuvre could possibly crossover—unless a day comes when what sound like gay diary entries become the favorite half-time sing alongs.
At his Masters of Vinyl seminar at LAAS 2017 mastering engineer Kevin Gray mentioned that he'd cut a series of records for Speakers Corner using original master tapes.