NIck Lowe has aged more than gracefully—he's never been better melodically and especially lyrically. On his latest release, issued by Yep Roc on a "wide groove 45rpm" record, Lowe waxes both melancholic and bemused about a break up.
Recorded and released during one of the most tumultuous and disturbing periods in contemporary American history, Emergency Ward! is a grand, exasperated plea for peace and understanding by one of the great soul/jazz voices of the 20th century.
Seeing the superb documentary “What Happened, Miss Simone” isn’t mandatory but you’ll so much more enjoy this astonishing debut album recorded in 1957 (but not released until 1959) that it’s highly recommended, especially if you have Netflix. You’ll sit transfixed by this exceptional woman’s remarkable and often tragic life story.
As a value proposition the 2016 “The Philips Years” seven LP box set covering all of Nina Simone’s recorded output between 1964 and 1967 can’t be beat. Digitized at 96/24 resolution at Abbey Road using the original master tapes and well-pressed at Record Industry, the seven LPs sound very good. However!
First of all thanks to everyone who participated. More did than we initially expected. This is a learning experience for sure. Future such surveys will feature “normalized” files so levels will be equal. I’ll be far more careful about clipped files too.
It’s difficult to believe this November 18th, 1993 Sony Music Studios performance is almost seventeen years old. Though it aired on MTV a month later, it wasn’t issued on vinyl or CD until November 1st, 1994, six months after Kurt Cobain’s suicide.
Brothers Kevin and Steven Berg recently purchased vacuum-based record cleaning machine manufacturer Nitty Gritty Record Care Products and have resumed operations in an Atlanta, Georgia based facility that will produce a full line of machines as well as service older units.
Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.