Very few singers can get this close to a dry microphone, be balanced way forward of the backup band and sound as good as Peggy Lee does on this series of standards backed by a pair of small ensembles, recorded in 1953 and 1956. Neither the original nor the reissue notes explain the album’s temporal context so perhaps there’s no story there.
No one has ever claimed PJ Harvey creates music made for easy, or even pleasant listening. Much of it is dark and painful, but even at its weakest, Harvey's music is provocative and worthwhile.
Whenever a record shows up I like to look at the lead out groove area to see who did the lacquer cutting. Sometimes there’s nothing to be found and that’s annoying, but with this double set I thought I was hallucinating because in plain view was “TML-M” a stamp not seen on a slab of new vinyl in decades. TML is the acronym for “The Mastering Lab” and the “M” means the main lathe at Doug Sax’s place.
Paul Simon can't go back to his folk-rock roots. It's too late for him to turn around, but a younger generation surely can use the hybrid genre as a start-up base of operations. The first and second Fleet Fox albums demonstrate that.
I turned 50 when the car manufacturer Saab turned 50, so I celebrated my half century, by treating myself to a day at the Skip Barber racing school held in conjunction with Saab's 50th anniversary celebration/annual Saab club convention, which took place that summer (1997) at the beautiful Waterville Valley Ski Resort-no dogs allowed.
Does it matter that the rattle and phlegm in Bob Dylan's voice makes it sound as if your midrange driver has blown? No. Hell no. In fact, despite the ragged vocals and 50 years since his debut, this is Dylan's best album in quite some time.
I just finished reading an article you wrote about Norman Pickering - Guess What Company Norman Pickering Started - that was published last October. I really enjoyed reading it, and was especially moved by the interview.
This performance and recording with Eiji Oue conducting the Minnesota Orchestra emphasizes the "symphonic" while downplaying the "dance" aspects of Rachmaninoff's composition.