Strain-gauge phono cartridges are rarely made and seldom heard; for most vinyl fans, they are more myth than fact. Panasonic once made one, as did Sao Win, but those were decades ago. I've heard about those two models for years but have never seen, much less heard one.
As if he's not got enough to do building his extensive lines of moving-iron cartridges, preamplifiers, amplifiers, and speakers, Soundsmith's Peter Ledermann also makes a full line of strain-gauge cartridge systems available with a choice of six user-replaceable stylus profiles. I believe the Soundsmith is the only strain-gauge cartridge currently made anywhere in the world. Ledermann says it takes him a full day to build one.
Soundsmith’s Peter Ledermann has been designing and building “fixed coil” cartridges for many years, beginning when he was asked by customers to “back engineer” a B&O design used in that company’s “plug in” cartridge tone arms.
Last night during the intermission between performances of Brahms’ Third and Fourth Symphonies, I stood on the Avery Fisher Hall balcony talking with a couple I didn’t know who were probably in their mid-sixties and I mentioned that I wrote about “stereo” equipment. They reacted with surprise, with the husband exclaiming, “Stereo. Now that’s an old-fashioned term. I didn’t think anyone used it anymore.”
Editor's note: this review has caused quite a dust-up, in part because of the sonic description and in part because of this, which you'll find further down in the text:
The title track is not twice as good as Desmond's surprise jazz “hit” “Take Five,” immortalized on the Time Out album recorded with his regular band mates in the Brubeck quartet, but it has its own serpentine charm, and having Jim Hall comping on guitar instead of Brubeck on piano gives the track a far different, more delicate texture.
This charming 1978 Harmonia Mundi release was a big audiophile favorite when vinyl was still king for reasons that will become obvious to you should you choose to pick up this Speakers Corner reissue.
This review was but a few words from being finished and a fumbling finger destroyed the whole thing. I hate when that happens! I'm not going to try to reproduce it. Too painful. So let me summarize what I'd written: yes The Four Tops and the other Motown acts were slick and aimed at white America, and the Chess stuff was much hipper, but this was great pop stuff nonetheless.
Rare, desirable and expensive when first issued in 1973 as a triple LP set in Japan where it was recorded and available in America only as a hard to get import, Lotus didn’t make it to CD until the earl 1990s.