Here's a company that fell well below my radar screen for years until a reader alerted me to its website. The Electric Recording Company and its founder Pete Hutchison is dedicated to reissuing on vinyl much sought after classical music fare from the early LP era, including those of legendary violinist Johanna Martzy as well as recordings by violinists, Leonid Kogan and Gioconda De Vito, ‘French School’ pianists Yvonne Lefébure and Germaine Thyssens-Valentin and cellist János Starker.. Or as the website describes the musical choices "...iconic 'Holy Grail' recordings by the most revered classical performers."
While the new iPhono 2 appears on the outside to be identical to the original iPhono, reviewed back in 2012 on analogplanet.com, don’t let the similar appearance fool you: the iPhono 2 is a completely new and vastly improved phono preamplifier—and the original was already plenty good.
Johnny Cash’s final album is a tender and moving tribute to the resilience of the human spirit. The power and fascination of folk music is that the story is in the telling not in the technique.
The late Arthur Alexander�s story is reminiscent of Roy Orbison�s. Like Orbison, Alexander passed away on his way to a resurrected career, though Orbison got to see his rebound while Alexander didn�t. He�d quit the music business and was driving a bus whenElektra A&R exec Danny Khan saw Alexander perform in 1991 at New York's Bottom Line in one of the clubs famous "A bunch of song writers sitting around singing" shows and convinced him to go back into the studio.
Canada-based Fluance is an eighteen year old loudspeaker manufacturer specializing in home theater systems. The company’s speakers have a luxurious look that belies their reasonable prices.
I’ve not heard any of them but the reviews are positive in sister publications Sound & Vision and Innerfidelity.
Characterizing The Gilded Palace of Sin as a “country-rock” album or “the first country-rock album” or as it’s incorrectly called by some Sweetheart of The Rodeo Part 2 sells short an album that transcends genre or for that matter “dash-genres”.
Souix-Falls, South Dakota based George-Warren Precision Sound manufactures and sells direct but one model turntable. After spending a few months with it, I’d say one is enough.
(This piece, originally written in 1988, runs with a few updates)
Maddy Matlock and the Paducah Patrol, Warren Barker, The Vestry Choir, Raoul Meynard and Orchestra, Clint Walker and the Sunflower Serenaders, Gus Farney at the Giant Wurlitzer- these are just a few of the exciting musical acts that helped Warner Brothers Records lose a whopping $3 million a year between 1958 and 1962- its first four years in existence.
Not a great start. In fact the parent company, Warner Brothers films almost shut the doors, but didn’t, according to Fredrick Dannen in his excellent and often hilarious book “Hit Men,” out of fear that it wouldn’t collect money owed by slow paying independent record distributors.
Producer Lou Adler, best known by 1969 for co-producing The Monterrey Pop Festival and for producing The Mamas and The Papas on his Dunhill Record label (and that really doesn't begin to cover his comings and goings back then or now) had this idea to re-imagine Bob Dylan's music in a gospel setting.
There’s an air of unreality about issuing a 7 CD set honoring the 50th Anniversary of The GRAMMY Awards. For one thing, the GRAMMYs award commercial, not artistic merit, though occasionally the two intersect. But more importantly, in an age of iTunes, where you can grab the tunes you want for a buck a piece, there’s something outdated and inefficient about packaging and marketing 16 tunes per category on a CD. What if you only like a few of them? Why be forced to buy all of them? Guess what? You’re not. NARAS (National Academy of Recording Arts and Sciences) and Shout! Factory decided to issue these 7 discs anyway.