Michael Fremer

Michael Fremer  |  Nov 10, 2015  |  First Published: Nov 10, 2015  |  5 comments
This Sunday, November 15th, Patti Smith Group lead guitarist, rock critic and producer Lenny Kaye will host a Classic Album Sundays event celebrating the 40th anniversary of Horses Smith's incendiary debut album.

Michael Fremer  |  Nov 10, 2015  |  First Published: Nov 10, 2015  |  0 comments
Writing in the BBC online Magazine, reporter Liana Aghajanian writes that Mongolian vinyl fans, who once had to travel more than six hundred miles across the Gobi desert to Beijing to get a vinyl fix, can now visit a new store in the Mongolian capital of Ulan Bator.

Michael Fremer  |  Nov 10, 2015  |  First Published: Nov 10, 2015  |  7 comments
Kate Koeppel Design in collaboration with GDS Cloth Goods has just introduced The Record Tote— an LP bag Taylor Swift and every style conscious vinyl fanatic will want be seen with.

Michael Fremer  |  Nov 09, 2015  |  First Published: Nov 09, 2015  |  8 comments
Today's Analogplanet Radio show broadcast live over the air on WFDU-FM's HD2 radio station and also streamed at WFDU.fm is all about the Folk Music Revival of the late '50s--'60s.

Michael Fremer  |  Nov 09, 2015  |  First Published: Nov 09, 2015  |  23 comments
"Hearing is Deceiving", the vinyl project designed to find out if we can distinguish between an AAA and an ADA production is now a bit more than 25% funded with seventeen days to go.

Michael Fremer  |  Nov 06, 2015  |  First Published: Nov 06, 2015  |  17 comments
I am in Ann Arbor Michigan today, Friday November 6th, for an in-store appearance tonight at a Paragon Sight And Sound event.

Michael Fremer  |  Nov 04, 2015  |  10 comments
The Bowie dress cover did not make the American cut when the album was first released in America in the Fall of 1970.
Michael Fremer  |  Nov 03, 2015  |  7 comments
Gerry Rafferty has long been under-appreciated. Oh, sure, "Stuck in the Middle" was an unlikely hit when first released by A&M in 1972 and later found its way into Quentin Tarrantino's "Reservoir Dogs" where the bouncy, anthemic, Dylanesque record company exec knock reached a new audience.

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