You don’t have to be Phil Spector or Brian Wilson to appreciate mono sound, as anyone who’s purchased the recent mono Beatles box can attest. When these records were originally produced, they were meant to be heard in mono both because they were played on the AM radio, which was mono and because the young people buying the music mostly had monophonic record players. Plus that is how The Rolling Stones wanted to be heard, which is the most important reason of all.
Compare an original forty three year old UK "pink rim" Island pressing of "Baby's On Fire" from "Here Come the Warm Jets" (ILPS 9268), Brian Eno's debut solo album, with the 2004 DSD remaster using the original tape played back on an Ampex ATR deck with custom ARIA electronics.
This is a story you will like! About a decade ago former punk and jazz drummer Darrel Sheinman decided to start a new record label and release previously unreleased live recordings.
The July, 2015 Stereophile included a review of the $28,000 Swedish Audio Technologies pick up arm. Yes, the price is outrageous but it's difficult to manufacture and doesn't come off an assembly line.
Stoughton Press located in California's City of Industry, recently installed a $2.8 million dollar state-of-the-art Heidelberg printing press in order to keep up with the demand for the "vinyl fad".