Sumiko has been shucking these Oyster moving magnet cartridges for many years. They've mostly been entry level products aimed at getting one started in the analog world, placed on a budget turntable and priced accordingly. The least costly $79 Oyster sported a spherical stylus that didn't deliver much in the way of detail but made set up easy and got the job done.

Startling when first released in 1968, The Band's debut continues to evoke mystery, grandeur and an abundance of musical depth that few rock records achieved then or now.

Books have probably been written about the album and certainly have been about the outfit known as The Band, the members of which though mostly unknown to buyers lured by a Bob Dylan cover (literally and musically), were touring and recording veterans—not that experience alone can explain what the group achieved here.

The faded Crown (or Coronet) Records cover art, the borrowed “360 Sound” “Stereo” arrows in the top strip where “Ruen Brothers” replaces “Stereo” and the retro attitudinal looks on the faces of the two brothers, one wearing string tie, one not, hint at what’s in the grooves of this audacious Rick Rubin produced debut of the brothers RUpert and hENry Stansall also known as the Ruen Brothers. They are not poseurs. They are serious. They are on a “wake up” mission that’s been developing for four years.

There was a reference to a SOTA turntable in an episode of The Sopranos in the fall of 2002. Tony's son, A.J., and a pal were visiting a wealthy girlfriend when the pal popped out from the hallway and exclaimed, "A mint copy of Rubber Soul! That must be worth a fortune! And a SOTA turntable!" This was in or near the same episode in which Tony was outfitted with a sophisticated front-projection home-theater system. I'd wondered since the first season why a man of his means has been watching a 27", 4:3 Philips analog tube. I'm trying to find out who's the audio/videophile among The Sopranos' cast and crew.

This revolutionary cartridge comes in two flavors: plain and peanut. When the stylus wears out instead of having the cartridge re-tipped, you eat it. It melts in your mouth, not in your hands. Best for “mint” LPs, etc.

Humungous conflict of interest alert! I wrote this compilation’s liner notes and created the 22 song track order. Chad Kassem selected the female artists and the individual tracks sourced from albums he’d previously licensed and released on vinyl, SACD and high resolution download (maybe even R2R tape).

Your editor hadn't looked in a while at the "drop down" menu under "Shows". When he did he was kind of shocked to see how few shows were there compared to how many have been covered.

At the New York Audio Show a few years ago visitors, especially couples, found themselves attracted to a "console stereo" featuring a tube amplifier (with Blue-Tooth functionality), a high end Pro-Ject turntable, a pair of full range speakers plus a hidden powered 300 watt subwoofer all housed in a stunning-looking solid wood cabinet.

A reader asks:

I was wondering if you could tell me how the master tapes are/were usually handled back in the day? The reason I ask is because there are several master tapes floating around on the internet and people are offering reel to reel copies of them for sale (photo from back in "the day")

The first unknowable is the correct speed at which to play this oddly accessible 100% improvised double LP set of 13 spontaneous collaborations between saxophonist Dave Liebman and a pair of eclectic percussionists, Adam Rudolph and Tatsuya Nakatani. There's nothing written on the gatefold jacket or labels indicating speed, but I'm pretty sure its 45rpm!