After brief opening ceremonies at "Making Vinyl" event in Detroit October 1st and 2nd, co-founder/organizer Larry Jaffee introduced Record Store Day founder Michael Kurtz who moderated a fascinating panel intended to explain "why and how nearly 750,000 records were sold last April 21st in the U.S." and more interestingly how these releases were chosen, manufactured and distributed.

The file identities of "MMM"are as follows:

The all-in-one turntable market has one gargantuan issue looming over it: the Crosley Cruiser. With everything an analog neophyte thinks he or she needs, these $70 “turntables” sell by the boatload, only to seriously damage records after but a few plays with their five grams of tracking force. Why are they so popular then? Because they’re small, inexpensive and the purchaser doesn’t have to think about piecing together an entire system; it’s right in front of them. Even so, it still feels extremely wrong to spend $100 on a vinyl box set and subject it to the evils of a $70 turntable.

Here's the poop directly from Rega:
"The Planar 8 was inspired by the ultimate Rega turntable, the 'Naiad'. We decided early on that instead of an evolution of the previous RP8, the new Planar 8 was to be developed and engineered to encapsulate the essence of 'Naiad' at an affordable price. Our aim was to deliver a level of performance far beyond what has been achieved at this price point before.

The second edition of "Making Vinyl" was an even greater success than last year's, which was plenty good. Following Record Store Day founder Michael Kurtz's panel "Record Store Day 11 Years Later", AnalogPlanet.com editor Michael Fremer ran "New Vinyl Plants Fire Up the Presses", which you can watch here. (Photo: Discogs sandwich of Jeffrey Smith and Sean Cannon).

Ortofon celebrated its 100th anniversary September 28th and 29th, inviting approximately 60 of its sales and technology partners from around the world to a hotel in Maribo, Denmark and to its factory in nearby Nakskov.

AnalogPlanet editor Michael Fremer was invited to observe the celebration and to participate by presenting to the guests and company executives a ½ hour PowerPoint presentation outlining where the vinyl record and analog playback gear market has been for the past 30 or so years, and to where he thought it was headed in the future.

November 9, November 9, November 9: On November 9, Apple Corps/UMe will release multiple deluxe editions of The Beatles, the seminal self-titled double album affectionately known, due to its stark packaging, as “The White Album.”

When I came upon Giuseppe Viola's handiwork at the 2000 Top Audio Show in Milan, Italy, I said to myself, "Here's a guy with a fabulous machine shop and too much time on his hands." Most designers are satisfied to introduce a turntable. Not Viola. At Top Audio, under the V.Y.G.E.R. name, he introduced a whole line of hand-built, air-bearing tonearms and turntables. When I met the gregarious Giuseppe (aka "Pino") later that day, he came across as a most enthusiastic, gnome-like character, eager to demonstrate his gleaming creations and explain their workings.

Viola had much to be proud of: He'd developed a massive, true air-bearing platter—one that "floated," both radially and axially, on a thin film of air . . .

The Blood on the Tracks story is familiar to Dylan fans: the album was recorded in New York City in four days, September, 1974. It was mastered and review copies circulated. Months later (late December) Dylan decided the approach was wrong and re-recorded five tracks at Minneapolis Sound 80 Studios. Bootleggers circulated outtakes from the New York sessions but they’ve never been available legitimately until now.

Felt mats have never been known for audiophile-grade sound, but how do they fare against each other? Can you hear differences among them?