ORG Announces Two Roy Orbison Double 45rpm Reissues

ORG today announced a Roy Orbison reissue project that will bring to the 45rpm format Lonely and Blue and In Dreams, two of Roy's early Monument albums.

"Thank You Les, A Tribute to Les Paul" Issued on 180g AAA Vinyl!

This loving tribute to Les Paul featuring longtime trio cohort Lou Pallo and others with whom Les played at Fat Tuesdays and the Iridium is musically fabulous assuming you like the timeless "old school" style. And if not, why not? If it's good enough for Keith Richards, Steve Miller, Billy F. Gibbons and Slash, among others who perform here in that style, well hell, then it's good enough for you!

Primary Category: 
Category: 
Artist: 
Lou Pallo of Les Paul's Trio with special guests
Album: 
Thank You Les, A Tribute to Les Paul
Cred Label: 
Showplace Music Productions SMP10017 180g LP
Cred Prod: 
Lou Pallo and Ben Elliott
Cred Eng: 
Ben Elliott
Cred Mix: 
Ben Elliott
Cred Mast: 
Alex DeTurk
This loving tribute to Les Paul featuring longtime trio cohort Lou Pallo and others with whom Les played at Fat Tuesdays and the Iridium is musically fabulous assuming you like the timeless "old school" style. And if not, why not? If it's good enough for Keith Richards, Steve Miller, Billy F. Gibbons and Slash, among others who perform here in that style, well hell, then it's good enough for you!

No doubt Les's playing and his technological innovations with guitar and multi-tracked overdubbing affected all of them. But surely his playing hit them more squarely in their young guitarist wheelhouse.

Soundstage Direct $100 Gift Certificate Sweepstakes

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Gil Evans's "Out of the Cool" Into the Crapper?

Last winter an old audio biz friend of mine visited bearing a gift: a new Italian 45rpm pressing of Gil Evans' dark, brooding and oh so slinky 1960 recording of Out of the Cool originally issued in 1961 by the then new Impulse! label created by producer Creed Taylor for parent company ABC-Paramount. The album was Impulse! A-4, the label's fourth release.

Primary Category: 
Category: 
Artist: 
Gil Evans
Album: 
Out of the Cool
Cred Label: 
Impulse!/Analogue Productions Stereo A-4 2 45rpm 180g LPs
Cred Prod: 
Creed Taylor
Cred Eng: 
Rudy Van Gelder
Cred Mix: 
Rudy Van Gelder
Cred Mast: 
Kevin Gray at Cohearent Audio
Last winter an old audio biz friend of mine visited bearing a gift: a new Italian 45rpm pressing of Gil Evans' dark, brooding and oh so slinky 1960 recording of Out of the Cool originally issued in 1961 by the then new Impulse! label created by producer Creed Taylor for parent company ABC-Paramount. The album was Impulse! A-4, the label's fourth release.

This reissue on the DOXY label puts the entire album on a single 45rpm record. Given that side one runs almost 21 minutes, I was surprised they squeezed it onto a single side. Sides two's approximately 16 minutes is slightly more manageable with "slightly" the operative word.

Bob Dylan's Morose Masterpiece Untangled in Black By Mobile Fidelity

Dylan claims Blood on the Tracks' pained, heartbreaking and often very angry and vicious songs weren't personal confessionals, though he was in the midst of a painful divorce. His son Jakob says they were. Does it really matter if they were about or inspired by his life? He delivers them as if they were very personal as does any great actor, but they are just as satisfying or disturbing thought of as having been inspired by, and not chronicling his personal circumstances at the time.

Primary Category: 
Category: 
Artist: 
Bob Dylan
Album: 
Blood On the Tracks
Cred Label: 
Columbia/Mobile Fidelity Sound Labs MFSL 1-381 180g LP
Cred Prod: 
Bob Dylan?
Cred Eng: 
Phil Ramone
Cred Mix: 
Phil Ramone
Cred Mast: 
Krieg Wunderlich on the Gain 2 Ultra Analog System™
Dylan claims Blood on the Tracks' pained, heartbreaking and often very angry and vicious songs weren't personal confessionals, though he was in the midst of a painful divorce. His son Jakob says they were. Does it really matter if they were about or inspired by his life? He delivers them as if they were very personal as does any great actor, but they are just as satisfying or disturbing thought of as having been inspired by his personal circumstances at the time.

Analog Corner #40

Have you noticed how the pace of things "going digital" has increased? There's no escaping it, and television's next. It'll take about 10 years, but then, like abandoned canals, the empty two-lane cement of Route 66, and overgrown railroad rights of way, the analog broadcast pathways will be discarded, handed back to the government for reuse in what will no doubt be a far less glamorous endeavor—garage-door opener or pocket-pager frequencies, perhaps.

Route 66 has made a tailfin'n'Elvis–based nostalgic comeback. So have steam trains, taking railroad buffs on daylong excursions over commuter rails. Last year I took one myself—and I enjoyed every soot-sprayed, purgatory-hot, steam-stinking, smoke-belching minute of it. (I hung out in one of the two open cars: standing room only, no glass in the windows.)

But analog television? Is anyone going to miss it? I doubt it—which is how most people felt about records with the introduction of the compact disc. Remember? People dumped their vinyl like carcinogens, and most haven't looked back with regret. Clearly, from our perspective, that's their loss.

"Blade Runner" Soundtrack Delivers Sonic Fireworks

Ridley Scott's 1982 "future noir" classic "Bladerunner" based on Philip K.Dick's "Do Androids Dream of Electric Sheep" was a box-office flop when first released. Like "TRON", another flop, it has gained stature over the years, though like "TRON", the movie's visual and sonic pleasures are greater than the storytelling.

The soundtrack by Vangelis was as sonically memorable as were the visuals of a dysfunctional 2019 Los Angeles.

Primary Category: 
Category: 
Artist: 
Vangelis
Album: 
Blade Runner Original Soundtrack
Cred Label: 
Audio Fidelity AFZLP 154 180g red vinyl LP
Cred Prod: 
Vangelis
Cred Eng: 
Raine Shine, Frederick Rousseau and Philippe Colonna
Cred Mix: 
Vangelis
Cred Mast: 
Kevin Gray at Cohearent Audio
Ridley Scott's 1982 "future noir" classic "Bladerunner" based on Philip K.Dick's "Do Androids Dream of Electric Sheep" was a box-office flop when first released. Like "TRON", another flop, it has gained stature over the years, though like "TRON", the movie's visual and sonic pleasures are greater than the storytelling.

Ortofon 2M Black Phono Cartridge from Music Direct Sweepstakes

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From Music Direct:

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[This Sweepstakes is now closed.]

The Mothers of Invention "Freak Out!" Vinyl Reissue Straight Poop

According to mastering engineer Chris Bellman, Freak Out! was cut from a digital source.

John Prine's Grammy Award Winning "The Missing Years" To Be Released on Double 180g Vinyl

John Prine's Grammy Award winning (for "Best Contemporary Folk Album") 1992 album The Missing Years will make its "long overdue" vinyl debut July 9th on his Oh Boy record label.

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