Turntable Reviews

Sort By: Post DateTitle Publish Date
Michael Fremer  |  Mar 05, 2017  |  49 comments
It’s no secret that when Shinola decided to add a turntable to its product roster, the Detroit, Michigan based manufacturer chose to consult for the design with New Jersey based VPI Industries.

Michael Fremer  |  Sep 04, 2005  |  0 comments
"My original goal was simply to design a better turntable than the Linn because at that time in the UK, Ivor Tiefenbrun was the man—he was the patron saint and all that. And all the hi-fi mags were full of Linns. He did for turntables, in a way, what Mark Levinson (the man) did for amplifiers."
Michael Fremer  |  Dec 23, 2007  |  1 comments
Simon Yorke is an artist, a machinist, an electronics wiz, and a political idealist. He's also an analog enthusiast who melds aesthetic and technical considerations into eye-catching, densely packed, compact record-playing devices that are ruggedly built and functionally elegant. His turntables' smooth, matte-gray, metallic finishes and efficient lines make them among the most visually pleasing ever made.
Michael Fremer  |  Apr 15, 2000  |  0 comments
What do you want from a 21st-century record-playing device? I hear you: you want one that's compact, well-made, easy to set up, holds its setup, sounds great, and doesn't cost a lot.
Michael Fremer  |  May 15, 2009  |  0 comments
Much has happened in the analog world since I reviewed SME's flagship Model 30/2 turntable for the March 2003 Stereophile (footnote 1). Back then, spending $25,000 on a turntable (without tonearm) was an odd extravagance intended only for those seriously committed to the format, and who already owned large LP collections. Although new LPs were being pressed in growing numbers, the resurgence of vinyl was still spotty, and the long-term prognosis for the old medium remained in question.
Michael Fremer  |  Mar 16, 2003  |  0 comments
Dense, compact, and built to run O-rings around the competition, SME's flagship turntable makes every other design I've encountered—with the possible exception of Rockport's System III Sirius—look almost homemade. I don't mean to insult the many fine, well-engineered designs out there, but I've seen nothing else to compare with SME's tank-like approach to spinning a record. Comparing the Model 30/2 to a tank isn't exactly fair: the machining is done to higher than mil-spec tolerances. I don't think anyone else building turntables today is capable of this level of construction quality, never mind design ingenuity and fit'n'finish.
Michael Fremer  |  Mar 05, 2016  |  12 comments
SOTA is an American turntable brand founded circa 1980 by Dave Fletcher and Robert Becker in Berkeley California.The talented Spiral Groove turntable designer Allen Perkins worked for the company in the late 1980s.

Ken Micallef  |  Oct 30, 2023  |  11 comments

As one of the oldest turntable manufacturers in America, SOTA has the rare vantage point of both understanding what U.S. customers want while also addressing a large international following. Their latest offering, the SOTA Quasar turntable, ups their game considerably. Read Ken Micallef’s review to find out if the Quasar immediately belongs on your own turntable-obtainment radar. . .

Ken Micallef  |  Jan 24, 2024  |  7 comments

Introduced in 1979, the Technics’ SL-1200MK2 turntable soon became both the company’s standard bearer and the DJ’s vinyl spinner of choice. The 1200 went through endless iterations, entering the home and studio — and, in its latter variations, the 1200 also became a turntable audiophiles could love. Fast forward to today, where we now have the Technics SL-1200GR2 direct drive turntable, a quite formidable new entry in this venerable series. Read Ken Micallef’s review to see if the GR2 delivers the goods in terms of resolution, speed, textural information, and spaciousness. . .

Michael Fremer  |  Jun 21, 2012  |  15 comments
The two basic turntable design approaches are low mass that quickly evacuates energy and high mass that sinks and damps energy. Both designs seek to avoid reflecting back into the system the considerable energy produced at the stylus/groove interface.

Michael Fremer  |  Jul 22, 2014  |  52 comments
Off the audiophile pedestal and into the “real world” we go, with a review of Audio Technica’s easy to set up $250 AT-LP120-USB turntable.

Michael Fremer  |  Feb 08, 2018  |  9 comments
The European Audio Team’s entry into the under $2000 turntable market includes for $1595 a factory-installed Ortofon 2M Blue moving magnet phono cartridge that alone costs around $240. Something like the $100 2M Red is more often found packaged at this price point.

Michael Fremer  |  Dec 26, 2016  |  10 comments
Canada-based Fluance is an eighteen year old loudspeaker manufacturer specializing in home theater systems. The company’s speakers have a luxurious look that belies their reasonable prices.

I’ve not heard any of them but the reviews are positive in sister publications Sound & Vision and Innerfidelity.

Michael Fremer  |  Apr 09, 2015  |  12 comments
Souix-Falls, South Dakota based George-Warren Precision Sound manufactures and sells direct but one model turntable. After spending a few months with it, I’d say one is enough.

Michael Fremer  |  Jul 24, 2017  |  20 comments
Editor's note: AnalogPlanet (and Stereophile) policy is to review products as sent to us unless they are broken and/or clearly defective. In this case the speed was "off" but the 'table was neither "broken" nor "defective" so we chose to review "as sent".

The importer wrote to say the unit was sent with "the wrong pulley" and as stated in the review, we allowed for the possibility that the 'table had been previously used for reviews or for some other purpose. However, without trying to sound too harsh, if you're going to send out a product for review, it's important to check out its functioning before shipping and that would include making sure it's running at the right speed.

As the importer points out, the Kid Thomas previously reviewed ran at the correct speed but clearly this one did not and it was what was sent so there was an obligation to review "as sent" just as there was an obligation to ship a properly functioning review sample! I know this might sound "harsh" but I'm always thinking of the consumer who buys and uses without checking speed accuracy and ends up listening at the wrong speed.

AnalogPlanet readers' thoughts on this are most welcome.

Pages

X