A Ken Burns ten part PBS special will project itself onto your inner movie screen as Pat Conte plays on 19th century fiddle and banjo and occasionally vocalizes a set of old American tunes the accompanying press release describes as "old-time, primitive blues and archaic songs...".
I picked up The Best of Laurie Volume 1 (LES-4003) at a garage sale the other week and it includes “He’s So Fine” by The Chiffons, “A Little Bit O’ Soul” by The Music Explosion, “A Little Bit of Soap” by the Jarmels and “Hushabye” by The Mystics, among other tunes.
This superbly recorded, meticulously produced collaboration reminds me of an expanded version of Roy Rogers’ and Dale Evans’ “Happy Trails.” It’s packed with nostalgia and exudes a wistful, “see you around” vibe that at times gets downright suffocating.
ELAC Alchemy designer Peter Madnick is well-known to veteran audiophiles as the man behind, among other companies, Audio Alchemy, the “high end” brand that during the 1990s made high performance affordable. With Madnick designing and the business side run by Mark Shifter—a guy who could sell ham to a Hasid—Audio Alchemy had a formidable, decade long run before it folded.
On his eight or ninth album in little more than a decade, young Chicago native Andrew Bird continues on his smart way, singing, whistling and fiddling bemusedly but sincerely about life’s conditional conditions.
Sun Bear Concerts, documents five complete solo performances by Keith Jarrett in Japan. First released in 1978, it is considered a milestone achievement in the history of jazz recording. "Rich in incident and detail, the music is beautifully produced, illustrated, and presented in this ten-LP set".
I was wrong. These four Frankenstein monsters created by Capitol in 1964 out of parts stripped from various UK originals sound fantastic and yes, revisiting them after decades of neglect and dismissal opened a floodgate of intense memories-for me my freshman year at Cornell- of my roommate at University Halls #3, of a dorm band fronted by a kid names Ozzie Ahlers, and their big hit “Master the Bate,” and especially where and when I bought each of these albums, and how I reacted upon hearing them. When I heard the fake stereo version of “I Feel Fine” for the first time in 3 plus decades I flashed on the first time I ever heard the song: on WKBW, Buffalo, which was a clear channel we could pick up on the AM radio at night in Ithaca. I remember who I was with when the song aired, what he was wearing and even how the dorm air smelled. Hearing these songs strung together in this order creates a totally different vibe than the one you get listening to the UK originals: more muscular, and justd plain more American. That's both the problem and the pleasure, however.