The time between receiving this and finally writing about it is ludicrous. I’m almost embarrassed to post this in March of 2006. It’s been covered more extensively than most new jazz albums and I wouldn’t be surprised if it outsold most of them as well. On the other hand this music hasn’t been heard in almost 50 years, so what’s a more few months?
This summer of 1955 set probably recorded at United in Los Angeles August 23rd and 25th 1955 just a few days after a successful Hollywood Bowl appearance finds Holiday covering standards in fine voice backed up a great small combo.
Last Friday, Saturday and Sunday (August 11-14) marked the 15th anniversary of the Hong Kong High End Audio/Video Show held at the gleaming Hong Kong Convention Center. First day's attendance (Friday) was a genuine 11,000. Saturday's was 12,000 and the show organizers told me they expected Sunday's attendance to also hit 12,000. When you watch the video you will have no trouble believing these numbers other than to think they are low!
More coverage of the 15th annual Hong Kong show, this time emphasizing the 2nd and 4th floor rooms, though there's a revisit of the main conventional floor.
The final day of the Hong Kong High End Audio Video Show began for AnalogPlanet.com editor Michael Fremer (after an evening of excessive wine and cognac consumption) with a guest spot on the "Pop Fugitives" radio show hosted by vinyl fans Paul Haswell and Carolyn Wright who extended the invitation after learning that Fremer was visiting Hong Kong to attend the audio show.
Produced by Bay area bluesman Roy Rogers (Hooker had moved there and opened a nightclub in 1997), this Grammy Award winning set of collaborations between the then 72 year old John Lee Hooker and Carlos Santana, Bonnie Raitt, Robert Cray, “Canned Heat,” Los Lobos, George Thorogood and Charlie Musselwhite, plus two stirring Hooker solos and one backed by drums and bass, brought the blues great to a new audience.
The first two sides of this double record set spotlight Hooker, his incendiary, coiled-snake stinging guitar, his foot stomping, mutable time-keeping and his chant-like, mournful singing all recorded intimately. Canned Heat co-founder Al Wilson contributes harmonica and piano on some of the tunes that are otherwise all Hooker.
Drop John Lee Hooker off in the parched environs of Paris, Texas and tell him to do his mournful thing and that it’ll be okay because Miles Davis will be right behind him with his mute trumpet following his every musical move the way Ali Akbar Khan followed Ravi Shankar's.