Veteran loudspeaker designer Andrew Jones (KEF, TAD and now ELAC) explains how he's managed to create the new floor-standing Adante loudspeaker that produces robust, well-controlled bass for $5000 a pair.
During my visit to Audio-Technica in Machida City, Tokyo, Japan, I was I given a tour of the factory, which mostly produces microphones along with some headphone components. Other than the new ART1000, all of the cartridge manufacturing and assembly takes place either at another factory in Fukui, Japan or at an Audio-Technica owned factory in China.
The July, 2015 Stereophile included a review of the $28,000 Swedish Audio Technologies pick up arm. Yes, the price is outrageous but it's difficult to manufacture and doesn't come off an assembly line.
This famous 1957 “Living Stereo” three-track recording (originally LSC-2201, issued in 1958) was among the first series of bargain-priced BMG SACD's issued last year. A second set has recently been released. By focusing on the “audiophile community,” doubling up the content (two full LP's worth) and selling them for 12 bucks, BMG hit all the right notes, and apparently these are selling well-in the context of what that means in today's shrunken record biz.
How long do lacquers really last? The recent Supersense announcement that it would be releasing lacquers cut sourced from 1:1 master tape copies (the original announcement made it seem as if the company was claiming to be using actual master tapes, which made zero sense and was obviously not the case), produced a torrent of objections and outrage on this website under the original post and on the YouTube channel of record dealer The In Groove.
The picture purposely obscures this moving magnet cartridge installed in the Rega Planar 8 tonearm plugged into the Graham Slee Accession. That's because I don't want you to know its identity. Rather, please listen to the file and tell everyone how much you'd be willing to pay for it and how you think it sounds.
The Rocky Mountain Audio Festival recently posted to YouTube this video of a panel discussion in which analogPlanet editor Michael Fremer participated. Check it out.
The stylus rake angle is the angle the stylus’s “contact patch” makes to the record surface. If you have a relatively inexpensive cartridge with a spherical stylus you don’t have to worry about SRA because the contact area remains the same regardless of arm height. On the other hand, elliptical styli along with the more severe “line contact,” Shibata, Geiger, Ortofon and other long, narrow contact patch “cutting edge” (poor metaphor!) stylus profiles require careful SRA setting to perform as designed.
Howard Stern crapped all over me today on his radio show. The opening salvo came just after he admitted that he really doesn't listen to music anymore, couldn't care less and couldn't bring himself to play David Bowie's new album.