Rudy Van Gelder turned his parents’ cozy Hackensack, N.J. living room into a recording studio in which was produced, recorded and mastered some of Blue Note and Prestige’s most iconic and sought-after records, or so the legend goes.
Musical Surroundings just announced a new V2 version of its Fozgometer, a highly successful azimuth adjustment tool, the original of which has sold close to 5000 units.
When in the late 1980s Bent Holter started Hegel—named after The Hegel Band, a rock band in which he played, which itself must have been named for the philosopher—designing a phono preamplifier would have been the last thing on his mind, if a phono preamplifier would have been at all on his mind—at least one to manufacture. He’d built one for personal use, I recall him telling me a few years ago at an EISA convention.
Listening today to this record originally released February, 1962—60 years ago—it’s difficult to understand why it created controversy so intense that Downbeat’s editor at the time invited Coltrane and Eric Dolphy to “defend” it in print. On the other hand, if you’re looking for a jazz album entry point, this live album probably wouldn’t be it—especially side two. Sixty years on, “Chasin’ The Trane” (name given by RVG who said he literally had to “chase Coltrane” on mic to capture him during the performances) might still send some running for cover (or covers, of which there’s but one on here, Hammerstein and Romberg’s beautiful “Softly As In a Morning Sunrise”).
Toneoptic founder and graphic arts designer Fabian Geyrhalter decided "It is time to rethink how we store and select records". He's come up with a unique, patent pending design and hired "the best designer, engineer and advisors (from Frank Gehry Partners, Boeing Aircraft and Cambridge Audio amongst others)" to execute the concept.
Crescent, John Coltrane’s 9th Impulse! Album, released in the summer of 1964, followed a pair of live albums (Live at Birdland and Impressions [mostly live tracks from the Vanguard dates]) and a pair of collaborations (Duke Ellington & John Coltrane, and John Coltrane and Johnny Hartman) with Ballads—a quickly recorded album of standards sandwiched in between.
The extensive Hana moving coil cartridge lineup manufactured in Japan by the half-century old Excel Sound Corporation (“controversial” factory tour embedded below) is a high value, performance, and quality, logically progressing array that until the release of the $3950 Umami Red was priced from a $475 low to a $1200 high. Remarkably moderate prices in today’s cartridge market.