AAA Vinyl

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Michael Fremer  |  Sep 10, 2015  |  8 comments
If you've already got a version of Vivaldi's "Four Seasons" that you like, I'm not suggesting you need a "second opinion" though in my world any well-produced, good-sounding musically worthwhile and well-performed D2D record is a treasure worth owning

Michael Fremer  |  Sep 05, 2015  |  76 comments
Grand scale examinations of the human condition tend to be preachy, didactic and obvious. The more interesting observations tend to be small scale and personal—in other words, how individuals deal with human foibles and circumstances beyond individual control generally are more compelling and interesting.

Michael Fremer  |  Aug 28, 2015  |  9 comments
I’ll tell you how I got into medieval era dance music similar to what’s on this record and on la Spagna: back in 1969 when I worked in the downstairs record store division of Minuteman in Harvard Square, a salesman named Duane who worked upstairs selling audio gear I could not at the time afford, insisted I buy a record on Deutsche Grammophone’s Archive Production label.

Michael Fremer  |  Aug 24, 2015  |  2 comments
Originally released in 1980 on the Swedish BIS label, the double LP la spagna became an instant, certified “audiophile classic”. It was on the late Harry Pearson’s “Super Disc” list since forever, with used copies regularly fetching upwards of $200.

Michael Fremer  |  Aug 12, 2015  |  7 comments
A reader recently asked if analogplanet would review some “heavier” musical material. I pointed out that we reviewed Volto! and The Mars Volta, among other purveyors of heavy guitar-based grooves, but that we’re not locked into bands with volt references. I referenced the Polish prog-metal band Indukti

Michael Fremer  |  Aug 03, 2015  |  24 comments
Long time Gerry Rafferty fans were thrilled for the long-suffering artist when he finally had a hit single under his own name with “Baker Street”, taken from his late ‘70s release City to City.

Michael Fremer  |  Jul 30, 2015  |  24 comments
Perhaps it's because "Dino" cultivated a less than serious image as a friendly drunk or perhaps it's because of his long running role as Jerry Lewis's "straight man" in the most successful duo in comedy history, or maybe it was his long running "Dean Martin Celebrity Roast" television show.

Michael Fremer  |  Jul 28, 2015  |  8 comments
1968 was a period of political and musical unrest. Miles was moved by where rock music and culture were going and clearly, he wanted to be part of it.

Michael Fremer  |  Jul 16, 2015  |  27 comments
Readers asked for a few more files recorded using the SAT arm.

Michael Fremer  |  Jul 01, 2015  |  7 comments
This minor musical and major sonic gem features the great vibraphonist Gary Burton, Dave Brubeck Quartet drummer Joe Morello (reference only in case you just arrived from outer space) and veteran bassist Joe Benjamin on a jazz session headed by the great Nashville guitarist Hank Garland.

Michael Fremer  |  Apr 14, 2015  |  11 comments
E.C.’s tenth studio record, released in 1986, is among his finest musically and sonically, which explains why it wasn’t well received on the pop charts. It only went to #39.

Michael Fremer  |  Apr 12, 2015  |  27 comments
Analogue Productions has just released Tea For the Tillerman on a double 45rpm 200g, numbered, limited to 3500 copies edition, mastered by George Marino. What? Didn't he pass away a few years ago? Yes. The double 45s were cut when the tape was available "just in case". And it's "in case" time. Especially since AP's license on the title is about to expire, so it's also "get it while you can" time, "in case" you really like this record.

Michael Fremer  |  Apr 05, 2015  |  8 comments
On Storytone Neil Young wears his heart on his sleeve and splattered on his windshield, serving it up both straight and backed by orchestral and big band arrangements. All of the performances are recorded live, with no overdubs.

Michael Fremer  |  Mar 30, 2015  |  7 comments
Back in the late 1990s Speakers Corner released the 180 gram LP Oscar Peterson The Lost Tapes (MPS 529-096-1) featuring ten tracks recorded between 1965 and 1968 in the Black Forest villa of MPS Records owner and recording engineer Hans Georg Brunner-Schwer.

Michael Fremer  |  Nov 30, 2014  |  47 comments
Not that it’s any of my business, but I was disappointed reading that Joni Mitchell had nixed Taylor Swift’s playing her in a biopix. “All you’ve got is a girl with high cheekbones” she’s reported to have said.

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